Biographer Delia Jarrett-Macauley stumbled across Marson's name while doing research for another book. The book has been well-received throughout Britain. Copies have sold out during every one of Jarrett-Macauley's book-signings and scheduled talks. "I saw this clipping that said, `Una Marson, the well-known BBC producer is now on holiday in Jamaica.' And I said: `What! You mean we had a black woman producer at the BBC as early as 1945 and we don't know about it.' I decided her story must be known," she said. Marson joined the BBC in 1936 and made an immediate impact, rising rapidly through the ranks. In 1942 she became the West Indies producer and created the Caribbean Voices programme, which won exposure and respectability for Caribbean writers and poets.
It ran for more than six years and playing one of [Desmond]'s barbershop cronies was a highlight of [Ram John Holder]'s long career. "It only had half of the audience of Desmond's, but it had much bigger audiences than the shows they replaced it with." In it, the colourful and exuberant traditions of Trinidad's Carnival provide the setting for a stage event which transforms Handel's Messiah into an musical combining song, dance and spectacle with the spirit of Caribbean storytelling.
I don't believe this is because cricket is an inferior game. But, in the eyes of the punters, football rules. This is true, not only in Britain but also in the Caribbean. I was therefore surprised that Channel 4 felt it could cash in on the enthusiasm shown for the Reggae Boyz by putting on a concert at Lords. West Indies tours to Britain in the '60s, '70s and '80s served a much wider purpose that went beyond hearing leather on willow. For those of us oppressed in the context of slavery and colonialism, the black body was something to be despised. It was particularly important for the Windrush generation and during the '50s and '60s, when the factory and the street were open season for racists.
Culture is a powerful tool for inspiring human beings and bringing them together in a concerted `family' action, says Prof [Marimba Ani], adding: "Our cultural roots are the most ancient in the world." This is very true and it is accepted that Egyptian science and technology laid the foundations for the development of Europe. It is also true that the finance to fund this development came from the proceeds of the barbaric slave trade. Black history is rich and diverse and knowledge of African achievements in education, politics, art, agriculture, medicine, science, religion, metallurgy, engineering, music and sports can help to boost our self-confidence no end. Records refer to the small population of `Negras' in Elizabethan London and even stretch back to the Roman Empire's occupation of Britain, when Africans were marooned at Hadrian's Wall in the third century AD. In the mid-'50s the Transport and General Workers' Union, now headed by Jamaican-born Bill Morris, insisted that no more than 52 of Wolverhampton's 900 bus workers should be black. This kind of colour bar was prevalent in many city transport companies from West Bromwich to Bristol.
