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2. Citizenship, religion and revolution in Cuba
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Watson,Carolyn E. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2009
- Published:
- New Mexico: The University of New Mexico
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 301 p., Throughout the 20th century, various Cuban regimes have tried to eliminate the practice of religions of African origin by combining repressive legislation and coercive social practices that stigmatized practitioners as culturally backward, socially deviant, and mentally deficient. Religious practitioners, however, used the state apparatus to continue worshipping their African deities, sometimes challenging government officials' excessive application of the law or devising ways to evade their scrutiny. Through an analysis of archival documents, newspapers, works produced by practitioners, oral history interviews and published ethnographies, this dissertation examines the strategies practitioners of Ocha-Ifá - also known as Santería - employed as they continued practicing the religion of their ancestors and participating in the national projects of the twentieth century. Focusing on the period after the 1959 revolution, this dissertation argues that revolutionary policies that were designed to discourage the practice of religions of African origin actually facilitated its continued practice and development in unintended ways.
3. Constructing Afro-Cuban Womanhood: Race, Gender, and Citizenship in Republican-Era Cuba, 1902--1958
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Brunson,Takkara Keosha (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Texas: The University of Texas at Austin
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 344 p., Explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals--from lawmakers and professionals to intellectuals and activists to workers and their families--established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identity. Studies of pre-revolutionary Cuba dichotomize race and gender in their analyses of citizenship and national identity formation. As such, they devote insufficient attention to the role of Afro-Cuban women in engendering social transformations.
4. Creolizing Carmen: Reading Subversive Afra-Hispanic Performances of Maria Antonia and Isabel "La Negra" in the Caribbean
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sanko,Nadia Sophia (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- California: University of California, Los Angeles
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
5. Crossing Stories: Circulating Citizenships in an Americas du Golfe
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Hudson,Sara (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Connecticut: Yale University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 667 p., The author locates New Orleans as a cultural and cartographic heart linking the Caribbean, the United States, and Latin America into what she calls Américas du Golfe. The author traces flows of cultures and citizens(hips) through New Orleans and across national borders: physically, culturally, economically, visually, linguistically, and musically, challenging traditional nation-based scholarly frameworks, and reorienting New Orleans as a Gulf, rather than American, city.
6. Engendering inequality: Masculinity and racial exclusion in Cuba, 1895--1902
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lucero,Bonnie A. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2013
- Published:
- North Carolina: The University of North Carolina at Chapel Hill
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 500 p., Explains the rise of a culture of racial silence in a time of heightening racial exclusion in Cuba at the turn of the twentieth century. Employing a case study of Cienfuegos, a port city on the south-central coast of the island, the author examines gendered articulations of inequality among Cuban separatists between the outbreak of the war of independence in 1895 and the inauguration of the Cuban republic in 1902. It is argued that Cuban struggles for political power in the wake of the American military intervention (1898) and military occupation (1899-1902) fundamentally transformed separatist visions of citizenship, increasingly restricting its boundaries along racial lines.
7. La Representacion de Raza y Genero en la Poesia de las Poetas Negras y Mulatas Cubanas (1960s--1980s)
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Aleman,Lidice (Author)
- Format:
- Dissertation/Thesis
- Language:
- Spanish
- Publication Date:
- 2013
- Published:
- St. Louis, Missouri: Washington University in St. Louis
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- This study examines the identity categories of gender and race in the Cuban context of the first thirty years of the Revolution and focuses on black and mulata women, in which both categories converge. In this work I analyze the literary discourse of the Afro-Cuban female poets between the 1960s and 1980s and discern the role of self-representation that each of these poets constructs within the framework of "being black" or "mulata" woman. Also, since gender and race are redefined by the dominant power, this project analyzes the political hegemonic discourse of the period in relation to race and gender, and illuminates its role in preserving racial stereotypes as well as the patriarchal normatives of gender.
8. Manners of distinction: Nineteenth century urban imaginings, performances and bodies of affect in Havana, Cuba
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Eguez Guevara,Pilar A. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2013
- Published:
- Illinois: University of Illinois at Urbana-Champaign
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 453 p., Offers an anthropological interpretation of cultural discourses about the body found in literature, visual narratives and archival sources throughout 19th century in Spanish colonial Havana. These discourses show a pressing concern with the "manners" of bodies, the ways they moved, how they occupied space, and how they managed sensations and emotions to negotiate power and prestige in the highly stratified Havana's society. Concerns for the manners of the body became the discursive domain of the rising planter and intellectual elite of Cuban creoles. They often expressed these concerns in normalizing terms such as "good manners," "good taste," and "tone." Argues that these and other highly embodied, interlocking moral, sensory, affective and aesthetic categories such as nobility, respect or " sabor " became focal indexes of the social status of individuals in colonial society.
9. Negrometraje, Literature and Race in Revolutionary Cuba
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Cort,Aisha Z. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Georgia: Emory University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 207 p., Explores the expression of Afro-Cuban identity and its illustration by Afro-Cuban writers and filmmakers within the context of the Cuban Revolution. It answers two questions. First, how does Afro-Cuban artistic expression of Afro-Cuban reality change from the 1970s to the 1990s? and second, how can we reread works from Afro-Cuban writers and filmmakers within the context of the Cuban Revolution in light of the ideological disconnects between Revolution, racial discourse, and artistic expression? To answer these questions the author looks to a diverse group of Afro-Cuban artists who produced groundbreaking works during the 1970s and 1990s. Beginning with Nancy Morejón as an example of a well-known literary figure in Afro-Cuban arts, the dissertation delves deeper into the evolution of Afro-Cuban aesthetics with the cinematic works of Nicolas Guillen Landrian in the 1960s, Sara Gómez and Sergio Giral in the 1970s and finally Gloria Rolando in the 1990s. These are all artists whose work has previously never been considered in concert, but together, their works engage in an interesting dialogue and provide a collective answer to the research questions on which this project is based.
10. Possible Republics: Tracing the 'Entanglements' of Race and Nation in Afro-Latina/o Caribbean Thought and Activism, 1870--1930
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Fuste,Jose I. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- California: University of California, San Diego
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 282 p., Challenges how critical scholarship on race and racism in Latin America has traditionally understood racial subalterns in Cuba and Puerto Rico as people who are prevented from acting as black political subjects because of the hegemonic power of discourses of nationhood premised on ideas of mestizaje and racial fraternity. By providing an intellectual history of several important yet largely ignored Cuban and Puerto Rican activists intellectuals of color who lived and worked between the Caribbean and the U.S. at the turn of the 20th century, the author shows that instead of being tricked by creole elite national narratives, they attempted to redefine ideas of nationhood to challenge racism, colonialism, and imperialism at local, national, and transnational levels.