178 p., This dissertation is about the role that conservative religious notions of racial ideology played in the historical origins of black nationalism and pan-Africanism. Focuses on the writings of an African Caribbean, Edward Blyden, as the centerpiece of the study. Blyden, a native of Saint Thomas (Virgin Islands) and considered one of the "fathers" of both pan-Africanism and African nationalism, was a particularly complex diasporic intellectual. Traveling first to the United States in the pre-Civil War period, then to Africa and Britain at the height of the European imperial venture - and Christian missionary efforts - Blyden served as a conduit between the West (the United States and Britain) and both a traditional and a Muslim Africa. He saw his role as one of mediating (critiquing/translating) these divergent voices and ideologies with the object of constituting a "modern," pan-African subject.
210 p., In African and Caribbean literature the question of power relations is omnipresent. It is identifiable in the literature of the independence period, which explored socio-cultural issues while African and Caribbean nations were emerging from the grip of colonial powers, and also in that of today, where developed countries and developing countries are still negotiating their relationship. While the Black woman is the first to feel the effects of power, because the latter is doubly marginalized as a woman and black, she has historically been silenced by a literary canon that does not leave her room for self-expression. Through an analysis of power relations between Black women and the patriarchal institution, we reveal the tactics that women use to endure the alienating systems in which they are located: (1) the rehabilitation of their sexuality (2) feminine solidarity (3) formal education (4) supernatural power and (5) the reexamination of Western values.
239 p., Undertakes a critical task of "writing to" and "writing back to" Frantz Fanon on the issues of violence, masculinity, and nation-formation. The author deploys Brian Keith Axel's formulations of "national interruption" to position African diasporic women's novels--specifically Gayl Jones's Corregidora, Tsitsi Dangarembga's Nervous Conditions, and Edwidge Danticat's Breath, Eyes, Memory --as critical interruptions to Fanon's formulations.
