"FANM is a grassroots organization," Bastien said. "When people come here they come here with great hope that we will be able to attend to their needs, but oftentimes because of our financial situation we are unable to." In addition to the information that will be provided at the open house, FANM will present a sampling of Haitian cuisine, Haitian art and a musical presentation by children from the Haitian community. The event is free, but FANM will accept donations to further the work of the organization.
"We provide this venue as a linkage for Haitians throughout the diaspora," President of the Haitian Heritage Museum Eveline Pierre told The Miami Times. "It's about educating the public about the phenomenal contributions Haitian Americans have made as a people, which will create a legacy for future generations." "In the building's design, we want it to reflect Haitian designs, and for that we want community imput," said [Serge Rodrigue].
Although the program has a long, academic-sounding formal tide, "Sugar, Slavery and Imperialism: How Sugar Drove the Forced Migration of Africans to the Caribbean and the Impact of the Haitian Revolution," it is an informal presentation aimed at general audiences. This is a rare opportunity to learn more about Haiti's former status, as the richest, rather than the poorest, country in the hemisphere; about Haitian participation in the American Revolutionary War and aid to other independence struggles; about the brilliant diplomatic and military leadership of Toussaint L'Ouverture, Dessalines, Petion and others, who defeated the forces of Napoleon, Britain and Spain together; about how the Haitian victory caused Napoleon to sell the vast Louisiana territory to the United States, and about the great heroism of ordinary Haitians that was required for victory to be won. (The Louisiana Purchase, which will be commemorated on specially minted nickel coins in 2004, also opened the way for an expanded domestic "slave trade" within the United States, which was even larger than the former Atlantic trade).
"[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."
[Teresa Heinz Kerry] shared the stage with two Haitian women, Aderadle Jules, 56, who had one family member to die in the floods and is missing seven, and Desita Fevrier, 52, who lost all eight of her family members in the Gonaives flood. Heinz Kerry first addressed the audience in French, which the predominately Creole speaking audience responded to favorably. Heinz Kerry said she did not know how the Haitian community was set up to handle disasters of the magnitude of Tropical Storm Jeanne. After acknowledging that she was not familiar with every Haitian issue, Heinz Kerry expressed concern about the United States' repatriation policy regarding Haitians. "I don't honestly know what the policy is for Haitians and Cubans when they come by boat to this country. What I don't understand is why do Haitians once they land have a different kind of treatment where they are held up for so long," Heinz Kerry pondered, as she drew applause from the audience.
"I think it's a joke," Miami-based Haitian business woman and [Jean-Bertrand Aristide] supporter Lucie Tondreau told The Times. "These same people talking about they are representing the industrial class are the ones that are paying people 68 U.S. cents a day for 17 hours of work. These are the same people who have just fired over 300 poor people without indemnity. These are the same people who over the years in Haiti have refused to pay taxes, electricity, who have not invested in the infrastructure, in the schools of Haiti, and today they are coming here talking about democracy?," Tondreau wondered. "He" (Aristide) "was at the basis of reinforcement of polarization," said [Apaid]. "He was prone to keep our country divided. He knew our mentality and rather than try to correct it he was accentuating it while making deals behind the palace door with the very people he was attacking. So there was a hypocrisy in it and it's just traditional political behavior. We want to go beyond that." While Apaid described the current situation in Haiti as slow with a lot of problems but moving in the right direction, Tondreau described Haiti as a place where people have no right to demonstrate without being killed. "We need the duly elected president back in Haiti," said Tondreau.
"My first thought of Miami was `this is a big city,'" the 17-year-old told The Miami Times. "It was such a beautiful place, but I experienced culture shock once I was here." "Education is more advanced in Haiti and you have to be disciplined," he said. "That played a great part in my success in high school." "I am getting a great opportunity I wouldn't have in Haiti," he said. "I plan to make the best of it."
