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    46. On the Cultural Studies Threshold

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Kevin Everod Quashie (Author)
    Format:
    Journal Article
    Publication Date:
    2001
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    24(1) : 368-373

    54. An Interview with Mónica Carrillo

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Marcus D. Jones (Author) and Ana Martinez (Author)
    Format:
    Journal Article
    Publication Date:
    2011
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    34(2) : 321-543

    56. Callaloo, Everyone?

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Marlon Bryan Ross (Author)
    Format:
    Journal Article
    Publication Date:
    2007
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    30(1) : 87-94

    60. There Goes the Transnational Neighborhood: Calypso Buys a Bungalow

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Michael Eldridge (Author)
    Format:
    Journal Article
    Publication Date:
    2002
    Published:
    Baltimore, MD: Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    25(2) : 620-638
    Notes:
    "Calypso in its modern incarnation (from roughly the turn of the century onward, that is) has always been commercially-oriented, always creole and cosmopolitan, always "compromised," shaping and re-shaping itself according to bourgeois imperatives and market forces; this is in great measure what made it "modern" (see, esp., Cowley). ... And as for the U.S. market, calypso had been cultivating it since the first luxury-liners put into port in Trinidad in the early 'teens. ... So if, by the end of World War II, calypsonians had figuratively speaking bought the bungalow (as West Indians did quite literally two decades later, when they snapped up not only the row houses of Flatbush and Crown Heights, but also the cottages of western Long Island), then buying into a dodgy proposition like "world music" amounted to just one more mortgage payment." --The Author