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    29. from The Last Freedom

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Frank Martinus Arion (Author) and Paul Vincent (Author)
    Format:
    Journal Article
    Publication Date:
    1998
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    21(3) : 529-532

    30. The Rise of Son and the Legitimization of African-Derived Culture in Cuba, 1908-1940

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Chambers,Glen A. (Author)
    Format:
    Journal Article
    Publication Date:
    2007
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    30(2) : 497-507
    Notes:
    "The rise of the Afro-Cuban musical genre commonly known as son is representative of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author