History has produced a myriad of cultural overlays in the Caribbean and the adjacent region of South America, a legacy of centuries of intrusion by rival European empires and the consequent sporadic exchange between the European invaders of the various local territories and peoples they claimed to control. The result is a mixture of peoples, languages, religions, and all other aspects of human culture, reflected in enrichment of the respective European and African languages involved, as well as in creation of new hybrid languages. It is in this context that one can speak of "Caribbean" literature and art from Suriname and the Netherlands.
"The rise of the Afro-Cuban musical genre commonly known as son is representative
of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation
of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
"Dutch Caribbean literature--that is literature written by Caribbean authors in Dutch--is written in Suriname, the Netherlands Antilles, Aruba and the Netherlands. So far, this literature has been reviewed from separate, national points of view. It is true that the countries differ. For centuries, Suriname was an agricultural and plantation economy; the Antilles flourished through trade. Suriname became independent in 1975, while the islands chose to remain part of the Kingdom of the Netherlands. This article seeks to transcend borders and opposites to approach this four century-old literature as the expression of a common Caribbean culture, a unity." --The Author
This anthology celebrates these authors as Caribbean authors, who through their translated writing enable us to become "third listeners," eavesdropping on a Caribbean conversation." (Hilda van Neck-Yoder)
Arion explores various issues related to Caribbean culture and what he calls 'Caribbeanness,' a stage which he feels the whole region has not reached yet
"C.L..R. James' 1938 seminal text, The Black Jacobins, and Eric Williams' 1944 tour de force, Capitalism and Slavery, constitute much more than foundational works in West Indian nationalist historiography. Both authors, born in colonial Trinidad and writing Caribbean history within its Atlantic context, made significant contributions to development discourse within the traditions of Enlightenment Idealism. As critical realists they considered popular historiography indispensable to any attempt to root philosophical ideals within recognizable terms of everyday living. In The Black Jacobins, James documents the struggles of the enslaved peoples of St. Dominique, the mercantile showpiece of French colonial capitalism in the West Indies for freedom and social justice. In addition, he details the transformation of this successful anti-slavery rebellion into something much more elaborate in terms of Atlantic history--the creation of Haiti, the Caribbean's first nation-state. In Capitalism and Slavery, Williams expands and develops the paradigm of African labor enslavement and European capital liberation, first outlined by James in The Black Jacobins, that became the basis of the revolutionary reorganization of productivity for European economic development." (author)
This text was first published in French under the title of Tloge de la creolite by Editions Gallimard in 1989. "Neither Europeans, nor Africans, nor Asians, we proclaim ourselves Creoles. This will be for us an interior attitude-better, a vigilance, or even better, a sort of mental envelope in the middle of which our world will be built in full consciousness of the outer world. These words we are communicating to you do not stem from theory, nor do they stem from any learned principles. They are, rather, akin to testimony. They proceed from a sterile experience which we have known before committing ourselves to reactivate our creative potential, and to set in motion the expression of what we are." (the authors)
The author introduces the reader to the work and importance of Haitian writer Dany Laferrire, whose acclaimed work 'Comment faire l'amour avec un Ngre sans se fatiguer' put him on an international stage
A review of a Dash's book, which is compared favorably to Edouard Glissant's 'Caribbean Discourse' (1989) and Antonio Bentez-Rojo's 'Repeating Island' (1992)
"It is not possible to separate his intellectual legacy from his political stewardship over the affairs of Trinidad and Tobago for some twenty-five years. The inventory of failure and achievement will undergo great variations according to the angle of vision and sectoral interests which are being reflected. For a quarter of a century he would have been at the center of the most controversial exchanges at both the national and the regional level: Federation, Chaguaramas, Independence, The University of the West Indies, CARICOM, Cuba, Grenada, and his own February Rebellion of 1970." (author)
