"The rise of the Afro-Cuban musical genre commonly known as son is representative
of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation
of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author
Discusses the impact of the presidential campaign of Barack Obama in the U.S. in 2008 examining Obama's black ancestry as well as his self-representation, which generates uncertainty about the meaning of blackness in American life. Looks into some studies examining the social status of African-Americans in the country, including their educational and employment opportunities. Moreover, addresses the social condition of Latin American and Asian American immigrants
