AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
The celebration officially started with a combination press conference and job fair at FIU's Biscayne Campus. Co-sponsored by Miami-Dade County and the South Florida Workforce, the FIU event featured a luncheon hosted by Emiline Alexis of the County Mayor's office. The job fair was held in honor of Haitian Labor Day and was held in the lobby and patio of FIU's Wolfe Center. Sunday was an especially busy day with a book reading at the Mapou Bookstore in Little Haiti, a complimentary buffet featuring foods (and music) from all nine of Haiti's Departments (provinces), and an infectious and intoxicating display of Haitian drumming and vocal performances called "Zaka" in the Design Destrict.
Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying." Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying."
They continued to avoid the racially-motivated behavior of many in the Cuban population in South Florida. In fact, the Caribbean (black?) organizers of the carnival care so little that they were happily prepared to give away the carnival's culture-driven economic and social enterprise to the Cuban community, even if the Cubans didn't really want anything to do with it, like Jewish Miami Beach and WASP downtown didn't. Does this mean that the huge economic infusion that was offered to other communities for acceptance is going to be realized by the people in Opa-Locka? Because, suddenly, it's as if some people belatedly became a little blacker; after all, they're home, they claim, to Opa-Locka. Yeah, right. The carnival organizers have some cojones, if not much sense of appropriateness. They outdid themselves in their fantasizing (but then, that's carnival). They opted for Hialeah and tried to hitch their wagon to Mayor Penelas' new coattail. Somebody needed to remind them of some of the politics involved. Seems Mayor Alex and Mayor [Raul Martinez] `don't tek tea', as we say in the Caribbean. Probably something to do with Alex backing the candidate who ran against Raul. Next stop, Hialeah City Hall. The rest, they say, is history.
I don't believe this is because cricket is an inferior game. But, in the eyes of the punters, football rules. This is true, not only in Britain but also in the Caribbean. I was therefore surprised that Channel 4 felt it could cash in on the enthusiasm shown for the Reggae Boyz by putting on a concert at Lords. West Indies tours to Britain in the '60s, '70s and '80s served a much wider purpose that went beyond hearing leather on willow. For those of us oppressed in the context of slavery and colonialism, the black body was something to be despised. It was particularly important for the Windrush generation and during the '50s and '60s, when the factory and the street were open season for racists.
Plans to celebrate Haiti's 2004 bicentennial were discussed recently by Minister Leslie Voltaire at the Center for Constitutional Rights in Manhattan NY. He said plans were underway to have a large exhibition commemorating the international slave trade and a symposium of African writers in the diaspora.
Curiously about the origins of the game has compelled the Anglo-Caribbean committee to begin research into one of the most enthralling pastimes. "We are looking to find out just where the game began," adds [Linton Blake]. "We are also trying to establish who the oldest player is so we can find out about the game's roots." "Most of the women are more passionate than the men," [Winston Bennett] admits. "They just want to be seen as another player and treated as such. It can be embarrassing for some of the chaps when they play against women and lose. It's wonderful to see!" Winston says: "There are some young fellows out there playing at the moment but unfortunately they don't take it seriously like the middle-aged or the older generation. We need good sponsorship to give them the interest. Without the money we can't really go into the fields we would like to."
There are three reasons why I think we have missed the Windrush boat. The first is that we have not really controlled this event but allowed it to be run by `caring' local authorities. I never really understood why we should wait for grants from the council to construct our own memorial of significant anniversaries. This dependent or entitlement mentality has meant that we are always waiting for a handout to make things work. The irony of this is that those who came on the Windrush were in search of a better life where their own efforts counted for something compared to dread of their colonial existence in the Caribbean.
On March 1st and 2nd, The Riverside Church will open its doors to metropolitan New Yorkers for a Haiti Festival - a cultural and spiritual celebration of Haiti. The "Haiti Festival" will kick off Friday, March 1st with a workship service and live performances by Haitian folk and roots musicians. The Festival will continue on Saturday as Riverside Church is transformed into a traditional Caribbean marketplace alive with the rhythms and folklore of Haiti.
