Another question is why Shaggy's "Hot Shot" was overlooked by voters. Released last summer, the album made it under the Sept. 30, 2000, deadline and fulfills the requirements with original material. The fact the album went virtually ignored for almost a half-year probably contributed to its absence on the list of finalists. Reportedly, the single "It Wasn't Me" gained life when a KIKI-FM deejay down-loaded the tract from the Internet and put it on the radio. The Honolulu station played the track, winning appeal from all of Hawaii. These months later, BET and MTV have spirited the video to return the Boombastic Lover Lover to the charts. The album is now No. 3 on Billboard Magazine's album chart, but nowhere on the Grammy list of five selections. Favored to place, show or win, The Baha Men of the Banamas were a sure bet. Their baseball-friendly "Who Let the Dogs Out" is awaiting verdict in the dance recording category.
Why? Because there is not a shred of doubt, as acknowledged by President George W. Bush's proclamation to mark the occasion last year, about the immense contributions made to the U.S. by people of Caribbean background. Not so long ago, former military General Colin Powell, a son of Caribbean-born parents, was Bush's secretary of state, one of the most powerful political posts in the U.S. Powell was even touted as a presidential contender. "But in communities (in the U.S.), where there are large concentrations of Caribbean people, for example in the South Florida area and in the New York metropolitan area, the Caribbean communities have all come together to do different things, sometimes collectively, sometimes individually, meaning individual associations..." Already some activists, who advocate on behalf of Caribbean interests in the U.S., have frowned on clauses of the proposed new immigration bill which they claim is a backward step for those wishing to see immigrant families united in the U.S. Also on the table for the leaders will be the issue of security in the Caribbean and the sensitive subject of deportations.
In 1984, the association opened an expanded Historical Museum at the Miami-Dade Cultural Center in downtown Miami. This 40,000-square-foot facility includes a permanent exhibition that traces the history of South Florida and the Caribbean, a temporary exhibition gallery that features several new exhibitions each year, a theater and classroom area for variety of educational programs, and storage areas for the museum's extensive collections of artifacts and archival materials, including books, manuscripts, maps and more than one million photographs related to the region. In recent year, the Historical Museum has directed increasing attention to Miami's role as a gateway of the Americas. To explore Miami's multifaceted connections with the Caribbean and Latin America, a new program series, Miami: The Gateway City, was introduced in Spring 1999. The objective of the 12-month series is to use the museum as a central forum for public dialogue about current issues facing Miami and as a space for related artistic presentations.
It may also have helped English-speaking migrants from the Caribbean that Florida served as a broad entry point for Caribbean migrants from Cuba, Haiti, and other countries: Where an area has a strong tradition of immigration, prevailing social attitudes are not likely to be as parochial as those in traditionally closed communities. Again, this is not to minimize the difficulties that particular migrants have faced; it is to acknowledge the fairly obvious point that some communities are less impenetrable for outsiders than others. A recent study by the British Cabinet Office has found that Caribbean women constitute a significant success story at the professional level. Specifically, for the generation born between 1940 and 1959, as many as 45 percent of the black women from the Caribbean, or who are of Caribbean heritage, now hold professional or managerial jobs, as against 27.3 percent of the black men in the same category. For the generation born between 1960 and 1979, 38.1 percent of the black women with Caribbean roots are professionals or managers, in comparison with 28.6 percent of the black men. These figures warn us that gender is now a significant factor in determining the prospects of Caribbean migrants to Britain, and they highlight the need for a broader examination of the factors that determine success for those who, in Claude McKay's words, may find themselves "a long way from home."
"THE MIN NOW RMHN' UP... THI CROWD NOW WAK1N8 UP... THE ATMOSPHERE HAS VIRES AND... NOTHIN' CANT BREAK IT UP... WE READY FOR THE ROAD. In his seminal song for T&T carnival 20 1 3, Differentology, soca superstar Bun ji Garlin set the scene for the upcoming masquerade and Montreal Carifiesta: raisin' up... the "the sun now crowd now waking up... the atmosphere has vibes and... nothin' can't break it up... WE READY FOR THE ROAD. So it is for the multitude of revelers and spectators who are ready to enjoy Montreal's hypest, most colorful and bounciest street parade, Carifiesta, once the best this side of the Atlantic.
The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
They continued to avoid the racially-motivated behavior of many in the Cuban population in South Florida. In fact, the Caribbean (black?) organizers of the carnival care so little that they were happily prepared to give away the carnival's culture-driven economic and social enterprise to the Cuban community, even if the Cubans didn't really want anything to do with it, like Jewish Miami Beach and WASP downtown didn't. Does this mean that the huge economic infusion that was offered to other communities for acceptance is going to be realized by the people in Opa-Locka? Because, suddenly, it's as if some people belatedly became a little blacker; after all, they're home, they claim, to Opa-Locka. Yeah, right. The carnival organizers have some cojones, if not much sense of appropriateness. They outdid themselves in their fantasizing (but then, that's carnival). They opted for Hialeah and tried to hitch their wagon to Mayor Penelas' new coattail. Somebody needed to remind them of some of the politics involved. Seems Mayor Alex and Mayor [Raul Martinez] `don't tek tea', as we say in the Caribbean. Probably something to do with Alex backing the candidate who ran against Raul. Next stop, Hialeah City Hall. The rest, they say, is history.
"But equally important, it was a celebration of the showbiz pioneers who met the standards of excellence that have enabled the Black community to lead the world of entertainment in Britain today." Songstress Beverley Knight, who became the envy of every woman in the land when she belted her heart out alongside sexy soulster Lynden David Hall, described the evening as "an history event." Roachford said: "I was honoured to be asked to perform."
What is Eiery Furnace Films? A film production company established by a group of Caribbean immigrants, predominantly Jamaicans, to produce community based films about the real Caribbean immigrant experience in this country. Their films portray the peoples' stories in an unrelenting honest and straight forward manner. Like the musical works of their courageous predecessor, Bob Marley, there is no "sugar coating" to the message of why people are struggling, as their lives are vividly portrayed on film. There is one industry always flourishing in the "ghetto" - that is the drug trade. Who profits from the drug trade? the big "drug lords," who live nowhere near the ghetto. If the only available jobs are those involved in the drug trade, that is what some people will go towards out of necessity. The majority of people don't get involved in all of that. They work very hard, many with two and three jobs, to support their children and send money home as well. Kevin Porter is a producer and writer with tremendous talents whose creative efforts are responsible for the publishing of "Inspirations of the God Within" (A Book of Classical Poems), and the production of "Rasta-Life and The Truth," an award winning film on the contributions and benefits of the Rastafarians.
"They were walking toward me on the street, then they pulled up their locks, shook them back in, and smiled," she recalled, with a laugh. "I shook my locks at them, too. They would go, 'Yo!' And I'd say, 'Yo!' It was fun to get that type of acknowledgement. It showed how we are connected as Africans. There's nothing that can make that go away." [Russo], she added, also discussed now Cubans might benefit from a more open relationship with the U.S.A., even though it may change Cuba's moral character. While [Linda Jennings] hopes better communication is achieved through the blockade's elimination, she is worried that America's dominant influence would alter Cuba's innocence. It seems like today, in our communities, the lack of material items makes Black people feel inferior. Cubans don't, seem to have that problem, Jennings said. Black people have propelled themselves to a more material, individualistic society, which has made too many of them forget who they truly are to themselves. Having seen Cuba's society in person I don't understand why a Cuban would want to defect here."
