"FANM is a grassroots organization," Bastien said. "When people come here they come here with great hope that we will be able to attend to their needs, but oftentimes because of our financial situation we are unable to." In addition to the information that will be provided at the open house, FANM will present a sampling of Haitian cuisine, Haitian art and a musical presentation by children from the Haitian community. The event is free, but FANM will accept donations to further the work of the organization.
Black nationalist Marcus Garvey, founder of the Universal Negro Improvement Association (UNIA), emphasized the relevance of Haiti's historical past because Haiti was the land where the Negroes repelled the Whites and established an independent republic. In the same vein, writers of the Harlem Renaissance embraced Haiti's history and culture. Claude McKay's work, for example, is replete with tales of Haiti's heroic past. [Langston Hughes], perhaps the most central figure of the Harlem Renaissance movement, having read of "Toussaint L'Ouverture, Dessalines, King Christophe, proud Black names," made a pilgrimage to Haiti.
"My first thought of Miami was `this is a big city,'" the 17-year-old told The Miami Times. "It was such a beautiful place, but I experienced culture shock once I was here." "Education is more advanced in Haiti and you have to be disciplined," he said. "That played a great part in my success in high school." "I am getting a great opportunity I wouldn't have in Haiti," he said. "I plan to make the best of it."
"The change in government is not really a good change for Haiti now," said Roslindale resident Rosemond Cineus. "We have to follow the constitution. This president was elected for five years." "I always sent money, food and clothes," said Jean, whose aunts and uncles live in Port au Prince and Gonaives. "[Since the rebellion] we have to send more money, because everything is more expensive. They're hopeful things will get better, but it's worse in terms of jobs and food is scarce." "We didn't expect [foreign troops]," said [Jacques Victor]. "We wish that in the long run we can have our own troops in there directing them, but for now we work with them."
"It is a new day," [Phillip J. Brutus] told Caribbean Today. "No longer will Haitian Americans be taken for granted. We are demanding our place at the table." "We need to get Haitians involved in the process," Joseph "Billy" Louis, a spokesperson for the group, told Caribbean Today. "We need numbers in order to be taken seriously." Damian P. Gregory is a freelance writer for Caribbean Today. Caribbean Today's special focus on Haiti begins with Nick Carter's call for the nation to "re-invent" itself on page 9 and continues on page 29 with highlights of events there and in the U.S. marking Haiti's 200th Independence.
Through informed presentations on immigration and the need for economic social and political on empowerment, Irwine and his partner, Attorney-at-law Winston Tucker, have established themselves as major community advocates on immigration reform and issues germane to the Caribbean community. In fact since 1995 Irwine and his organization have assisted in excess of 150,000 Caribbean nationals in becoming citizens of the United States. They single handedly led the lobbying effort for an amnesty for undocumented immigrants, collecting thousands of petitions at local events and even taking their call to the West Indian Day Parade in Brooklyn.
[Paul, Franck Laraque], Franck's brother and co-author, was not present in Boston for the event, but his spirit was represented by Lesly René, Laforèt Petit-Frère and [Jacques Antoine Jean] who read his poems from the bilingual, English-Creole anthology Open Gate: An Anthology of Haitian Creole Poetry (Curbstone Press, 2002) which Paul Laraque edited and other volumes (see Boston Haitian Reporter of May 2002). A revolutionary poet, he once corresponded with the celebrated French Surrealist guru André Breton, and was among the entourage of poets and intellectuals (René Depestre, Jacques Stephen Alexis, Théodore Baker, Gérald Bloncourt, Gérard Chenet, Pierre Mabile, etc.) who welcomed Breton in Port-au-Prince during the latter's famous visit to Haiti in December 1945.
"[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."
Members of the Victory Tabernacle New Testament Church of God gathered by the seaside behind the Forum Hotel in Portmore following their three-hour worship service to witness children, a few males and many women urging them to give their lives to Christ. Photograph (Reverend Errol Duncans of the Victory Tabernacle New Testament Church of God in Portmore, St. Catherine.)
"We provide this venue as a linkage for Haitians throughout the diaspora," President of the Haitian Heritage Museum Eveline Pierre told The Miami Times. "It's about educating the public about the phenomenal contributions Haitian Americans have made as a people, which will create a legacy for future generations." "In the building's design, we want it to reflect Haitian designs, and for that we want community imput," said [Serge Rodrigue].
