Works like Wheatley's and [Harriet Jacobs]' remind us how important it is to document our history with authenticity. History tells us of the need to write our own stories in our own words, for accuracy, for validation. And this is exactly why writers like Maya Angelou, Gwendolyn Brooks, Poet Laureate Rita Dove, Alice Walker and Louise Bennett Coverly (Jamaica) have revolutionized the written word and established themselves as role models for all of us. Positive images. Pulitzer Prize winner Alice Walker uses the word "womanist" in her works to refer to the liberation of black women. Through her famous novel "The Color Purple" and other works, she has revolutionized literature in the New World and given great insights into the traditions, beliefs, history, and values of people of African ancestry. The central theme in all of her work becomes the flower of hope that grows out of all despair. Black women writers have created for us a window to the world through which we can make real-life connections. From them we have received portraits in courage and a validation of ourselves. Their words constantly remind us that hope is eternal and that beauty can rise from adversity, as is so aptly expressed in the poignant declaration by Maya Angelou, the first female to read at a U.S. presidential inauguration, "And still I rise."
Verila, on the other hand, is a woman who is in constant flight and change. She lives in Canada and has returned to her island birthplace, ultimately in search of happiness. Elizete professes her love for Verila early in the book. The excitement and overwhelming for desire Elizete has for Verila is palpable. She claims, "I abandon everything for Verila. I sink in Verila and let she flesh swallow me up. I devour her. She open me up like any morning. Limp, limp and rain light, soft to the marrow."
"There was no trial. No formal accusations. They just dumped all of the prisoners like animals into a cage," [Jan Mapou] recalls. "they stripped us and then crammed 14 of us into a small cell. We had no idea if we would ever see our families again. We had no idea if we would even be alive from one second to the next." Tell no one "When I first started working with Jan Mapou and the Sosyete Koukouy, I knew very little about the meanings of the daces I was performing," says Nancy St. Leger, who is now the dance troupe's choreographer. "Mapou opened me up to the significance of each dance. He didn't want the dance troupe to perform anything we didn't understand." "What Mapou is promoting through his work is not just Haitian culture but what Haitian culture represents," says [Yves Colon]. "He keeps alive those ideas of beauty, harmony and black pride which are all a part of what Mapou believes is Haitian culture.
