"THE MIN NOW RMHN' UP... THI CROWD NOW WAK1N8 UP... THE ATMOSPHERE HAS VIRES AND... NOTHIN' CANT BREAK IT UP... WE READY FOR THE ROAD. In his seminal song for T&T carnival 20 1 3, Differentology, soca superstar Bun ji Garlin set the scene for the upcoming masquerade and Montreal Carifiesta: raisin' up... the "the sun now crowd now waking up... the atmosphere has vibes and... nothin' can't break it up... WE READY FOR THE ROAD. So it is for the multitude of revelers and spectators who are ready to enjoy Montreal's hypest, most colorful and bounciest street parade, Carifiesta, once the best this side of the Atlantic.
Due to political infighting and wrangling between 1996 and 2008, the Caribbean Cultural Festivities Association (CCFA), was served by five different presidents. The wrangling intensified in 2009 when a feud erupted between CCFA and the Montreal Carnival Development Foundation (MCDF) in order to determine the coordinator of the parade. Caught in the middle, the City salvaged the parade by offering each group a permit under two names and $10,000 each. In "A Deeper Look At The Perils Of Our Community" (26-8-10), Dr. Clarence Bayne took a more satirical look at the situation. He likened our existence to a minority who lives in a trap and those leaders in this arena are perceived as tricksters and community leeches that employ deception and treachery that help to keep us in chains. These are those, he noted whom Bob White has given the title "poverty pimps". Such personalities, he lamented behave like crabs in a bucket (barrel). In a commentary entitled "Community Must Stand Against Disunity and Disrespecf (20-5-10), [Egbert Gaye] asserts that "blame in this situation must be placed at the unwashed feet of the collection of invalids who chose not to come together to salvage the parade and a bit of our dignity".
On Saturday, July 3, certain sections of downtown Montreal should have been teeming with the music and vibrations of the Caribbean on what was supposed to be the 35th or 36th staging (depending on who is counting) of the annual Carifiesta parade. Instead, not a drum will be heard and the soca, calypso, reggae and zouk rythmns that should have been fueling the fire in the tens of thousands of participants and spectators along Rene Levesques Blv'd. will be replaced by the usual humdrum of Saturday commerce on the thoroughfare. So when it's all said and done as the cliché goes... it's our fault that we'll not be palancing in downtown Montreal.
Two years of quibbling by 'wanna be' organizers, the Caribbean Cultural Festivities Association (CCFA), and the Montreal Carnival Development Foundation (MCDF), led to a mediocre and divided parade last year and a deadlock this year that made the community exasperated and provided municipal politicians with a reason to call off the parade. We should be worried, very worried by that cancellation. Because it shows that City officials do not value Carifiesta's place in Montreal's cultural tapestry nor do they appreciate the true meaning and relevance of the festival to our community. If they did, they would have resorted to any of the other available options, like giving the permit to the legally constituted CCFA or to an interim group of organizers. Let's start denying them by taking back our signature festival Carifiesta. It's part of our legacy in Montreal and that shouldn't be compromised because of the behaviour of illinformed men and bad minded politicians.