The Web site will also feature facts on Afro-Brazilians; Brazilian events taking place in the United States and Brazil; updates on Brazilian politics; and the upcoming World Cup and the Olympic Games. Afro-Brazilian.com will also feature articles from noted Brazilian and African American reporters across the United States. According to MercoPress, an independent online news agency, Afro-Brazilians represent the largest ethnic group in Brazil, making up more than 49 percent of the population. Afro-Brazilians have a cultural influence on Brazil that spans from cuisine, literature, sports and art, among others. Some of the little known facts on Afro-Brazilians include: * African culture has been instrumental in the development of Brazilian cuisine. Feijoada, Brazil's staple dish, was developed by African slaves * Blacks and pardos have a low representation on Brazilian television. In 1996 Taís Araujo was the first and only Black actress to be featured as a protagonist in a telenovela
Since I have been thinking about Blacks in Brazil for years, I do know that racial identity is important and perceived differently there. For example, people who consider themselves Black or African American in the U.S. would not automatically be considered Black or African Brazilian in Brazil. People who have brown or lighter skin complexions in Brazil are mulattos, morenos, or some other non Black color category. Approximately half of Brazil's 150 million people are classified as mulatto or Black. "Pe na cozinha" means "foot in the kitchen" and "mulatinho" means "little mulatto." "Foot in the kitchen" refers to someone normally seen as white acknowledging his African ancestry because the kitchen is the kitchen of slavery in which Blacks served whites in all aspects of life.
In "Conceiving Freedom," Camillia Cowling examines how gender shaped urban routes to freedom for the enslaved during the slow process of emancipation in Cuba and Brazil. Slavery in those countries ended only after the rest of Latin America had abolished the "peculiar institution" and even after the American Civil War.
Essence co-founder Edward Lewis welcomes Benedita da Silva, vice-governor of the state of Rio de Janeiro, to Essence Communications, Inc., headquarters. Da Silva, one of the most-powerful politicians in Brazil, was in New York recently to meet with African-American business leaders to discuss economic and political partnerships between Black Americans and Afro-Brazilians.
History shows close to two million enslaved Africans were taken to South America. A great number of them were taken to Bahia, Brazil, to work on the sugar cane plantations. [Dionisio] has hope for the future of Brazilian Blacks. "If America can elect a Black president, I know that our time will one day come when a Black Brazilian will look after the wellbeing of his or her people. But at the way things are in Brazil, it is only through education that we will one day be equal to the whites, if you know what I mean." At this point, it sounded as if Dionisio was engaged in a monologue. "But many children dream of one day being like Pele, our greatest football star," he continued as he gazed in the distance, his eyes resting on the humming bird doing battle with the sweet nectar. The mention of Pele changed the contour of his face and I could see the veins in his face clearly showing. "Most of our people have let us down. Most, like Pele, can be considered Black, but we have a saying here that 'You are a Black person with a white soul. We say that of Black leaders and football celebrities who do not support any Black agenda."
It has been four years since Detroit has been visited by Mutabaruka who comes our way on Friday and Saturday, November 7 & 8 at the SereNgeti Ballroom located at 2957 Woodward Avenue in Detroit. Providing the music for Mutabaruka will be the renowned Jamaican reggae music group "[Skool]" who creates their own wave with first class music both home and abroad. Opening the show will be Detroit's own, Universal Xpression.
The Fugees -- Wyclef, Lauryn, and Pras -- returned to the group's Haitian motherland to present a massive concert at the Bicentenaire in Port-au-Prince on Saturday, April 12. An estimated 80,000 Fugees fans gathered to celebrate the group's "homecoming" and the music and art of Haiti in an atmosphere of good vibes and peaceful revelry. The 8-hour concert included sets by local and international musical artists -- hand-picked by Wyclef -- as well as a monumental nearly 4-hour performance by the Fugees.
On January 1, 1804, Gen. Jean-Jacques Dessalines, proclaimed to the world that his country, henceforth to be called Haiti, was free and independent. Previously dominated by France since buccaneers settled there in 1697, the small Caribbean island, whose eastern portion was under Spanish rule, had become an important slave colony. The slaves were imported from Africa and lived a harsh reality in comparison to the minority white slaveholding population. In 1789, Santo Domingo, as France called the colony, consisted of 450,000 enslaved Blacks, 40,000 whites, and 28,000 free Blacks and mulattos. The death rate for the enslaved population was high: While more than 800,000 Africans had been enslaved in the colony in the 1700s, only 450,000 survived in 1789. In 1791 a slave rebellion under the leadership of Vodou priest Boukman sparked a revolution that lasted thirteen years, culminating in independence in 1804. Toussaint L'Overture was the primary leader among the enslaved population, playing France against the British and Spanish, as he maneuvered the struggle closer to independence. However, in hoping to maintain a friendly relationship with France, L'Overture was deceived and placed in the French gallows upon an invitation to France. His able subordinates Dessalines and Henri Christophe, however, continued the liberation effort achieving independence and eventually driving all whites off the island nation.
This year's Miami concert is a continuation of this ongoing goodwill project, bringing together a host of internationally renowned celebrities, reggae, R&B, and hip-hop artists in an all-day Carnival event with food, arts, crafts, and a vast array of entertainment. Proceeds from the event will benefit the Wyclef Jean Foundation and be donated to charitable organizations. Proceeds from last year's Miami Carnival were given to VHI's "Save The Music" and Oeuvres de Petites Ecoles de P. Bohnen (through Fondation Artistes Creation, a not-for- profit Haitian organization). "Guantanamera," a single from "Wyclef Jean Presents the Carnival," featuring Celia Cruz and Jeni Fujita, was nominated for the Best Rap Performance By A Duo or Group. The following year, Wyclef Jean's single, "Gone Till November," was nominated for a Grammy in the Best Rap Solo Performance category.
