Examines how marginalized Maroon youth in Paramaribo, the capital of the Caribbean nation of Suriname, employ musical strategies in combating ethno-racial stigmatization and improving their socio-economic position. Traditionally, Maroons, after escaping the plantations during slavery, have lived in semi-isolation in Suriname's dense rainforest. In recent decades, they have become increasingly urbanized, to the discontent of many in Paramaribo, who view Maroons as backward, violent criminals. Drawing on ethnographic fieldwork and popular culture analysis, the article discusses how young Maroons use reggae and dancehall to create and recreate physical and social spaces of their own within the city and outside the forest. They protest local conditions and inequity by drawing on regional images of marginality that have been shaped by Rastafari musicians in Jamaica.
Journal Article, Examines the power-evasive reduction of 'race,' racial conflict, and racial subordination from the terrain of the social, material, and structural to the 'private' realm of affect and emotions, in an effort to explain how neoliberalism operates in the everyday lives of U.S.-born Latino and Latin American migrant youth, particularly, young, working-class Puerto Rican and Brazilian women in Newark, New Jersey. Argues that urban neoliberalism has been complicit in generating new racial configurations in the United States and that, in the case of populations of Latin American and Spanish-speaking Caribbean backgrounds, such articulations of difference have deployed a variation of 'racial democracy' ideologies.
