Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
Explores dynamic changes in network size and composition by examining patterns of older adults' social network change over time, that is: types of movements; the reason for the loss of network members; and the relation of movement and composition in concert. This study is a 6-year follow up of changes in the social networks of U.S.-Born Caucasian, African-American, and Caribbean older adults.
Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
The educational, occupational and income success of the racial minority immigrant offspring is very similar for many immigrant origins groups in the United States, Canada and Australia. Analysis reveals common patterns of high achievement for the Chinese and South Asian second generation, less for other Asian origins, and still less for those of Afro-Caribbean black origins.
Analyzes current urban governance policies and the spatial politics of resistance embraced by communities under siege in Brazil. Space matters not only in terms of defining one's access to the polis, but also as a deadly tool through which police killings, economic marginalization, and mass incarceration produce the very geographies (here referred to as 'the black necropolis') that the state aims to counteract in its war against the black urban poor.
Looks at a number of ethnic neighborhoods including Afro Caribbean and Dominican communities. The predominant post-1965 immigrant groups have established distinctive settlement areas in many American cities and suburbs
Develops a theoretical framework of biopolitical performance with which to approach the 1957 televised broadcast of Duke Ellington and Billy Strayhorn's A Drum Is a Woman. Presented on the drama anthology program The United States Steel Hour, this theater-music-dance suite fused elements of Afro-Caribbean rhythm with swing and bebop to tell a history of jazz, featuring acclaimed performers such as Carmen de Lavallade, Margaret Tynes, Joya Sherrill, and Talley Beatty. Argues that through their experimentation Ellington and Strayhorn created a hybrid performance in the mode of "calypso theater": a formal and thematic engagement with an Afro-Caribbean performance history.
To assess the relative roles of race and ethnicity in shaping patterns of residential segregation, this article utilizes indices of segregation and a geographic mapping strategy to examine the residential patterns of West Indian blacks in the greater New York City area. The socioeconomic characteristics of neighborhoods occupied by West Indian blacks are also examined and compared to those of areas occupied by African Americans. The results indicate that, on one hand, West Indians are largely denied access to residential areas occupied predominantly by whites and are confined to areas of large black concentrations. On the other hand, West Indians appear to have carved out somewhat separate residential enclaves within these largely black areas, and there is evidence to indicate that these areas are of somewhat higher quality than areas occupied by similar concentrations of African Americans. The discussion of these results focuses on the reciprocal relationship between the formation of these distinct residential enclaves and the maintenance of a distinct West Indian ethnic identity. [ABSTRACT FROM AUTHOR];
Brazil's tourist-jammed cities are some of the most violent on the planet. A considerable number of the country's 43,000 annual murders occur on the streets of Sao Paulo, Recife, and Rio de Janeiro. And Brazilian cities are not alone in what might be called a bad neighborhood. The fact is that most major Latin American and Caribbean cities are today plagued by an epidemic of violence. With more than 20 murders per 100,000 people, the regional homicide rate is roughly three times the global average. Many of the larger urban centers -- from Caracas and Ciudad Juarez to Kingston and Port-of-Spain -- register the highest rates of lethal violence in the world.
Evaluates the extent to which the relationship between black immigrants' individual-level socioeconomic status characteristics and suburban outcomes conforms to the tenets of the spatial assimilation model. Results reveal that black immigrants' suburban outcomes vary depending upon the racial/ethnic background and nativity status of the reference group. While both black Caribbean and African immigrants are less likely to reside in the suburbs than native-born white households, they are more likely to do so than native-born black Americans, even when controlling for differences in income, education, and homeownership.
