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    2. Felix Morisseau-Leroy

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    Collection:
    Black Caribbean Literature (BCL)
    Format:
    Journal Article
    Publication Date:
    Summer, 1992
    Published:
    Baton Rouge: Callaloo
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    15(3) : 667-670
    Notes:
    Part 2 of Special journal issue: Haitian Literature and Culture., Félix Morisseau-Leroy, was a Haitian writer who wrote in Haitian Creole for poetry and plays.

    4. Redness of Blackness: Revisting Dereck Walcott's Mulato Aesthetics

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Oloruntoba-Oju,Motayo (Author)
    Format:
    Journal Article
    Publication Date:
    2006
    Published:
    Mona, Jamaica: Extra Mural Dept. of the University College of the West Indies
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Caribbean Quarterly
    Journal Title Details:
    52(1) : 12-25
    Notes:
    "The problem involved in the description of Caribbean aesthetics is not only due to the heterogeneity of Caribbean culture - given its antecedents - but also the complex cognitive and social orientation of the individual Caribbean artist." (author)

    5. Struggling to Cross the Race and Class Divide: Sistren's Theatrical and Organizational Model of Collectivity

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Smith,Karina (Author)
    Format:
    Journal Article
    Publication Date:
    2011-03
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Theatre Research International
    Journal Title Details:
    36(1) : 64-78
    Notes:
    Analyses Sistren Theatre Collective's theatrical and organizational collective model by contextualizing the company's commitment to collectivity in terms of political and social shifts in Jamaica during the 1980s. Argues that race- and class-based divisions within Jamaican society&nbsp;were masked by&nbsp;collectivity masked.