Reviews the book "Women's Activism in Latin America and the Caribbean: Engendering Social Justice, Democratizing Citizenship," edited by Elizabeth Maier and Nathalie Lebon.
Provides information on how the enforced diaspora of the slave trade shaped Brazil as a nation. Information about the coming of the first African slaves in 1538; Burgeoning of Brazil's African descended population in the sixteenth century; Reasons for the survival of African cultural traditions in Brazil; Distinctive African stocks in Brazil; Abolishment of the slave trade in Brazil in 1850; Percentage of the 1997 Brazilian population that is of African descent.
Explanations of the Abolitionist movement's success in Brazil (1888) have, since the 1960s and 1970s, emphasized the movement's material context, its class nature, and the agency of the captives. These analyzzes have misunderstood and gradually ignored the movement's formal political history. Even the central role of urban political mobilisation is generally neglected; when it is addressed, it is crippled by lack of informed analysis of its articulation with formal politics and political history. It is time to recover the relationship between Afro-Brazilian agency and the politics of the elite. In this article this is illustrated by analysing two conjunctures critical to the Abolitionist movement: the rise and fall of the reformist Dantas cabinet in 1884-85, and the relationship between the reactionary Cotegipe cabinet (1885-88), the radicalisation of the movement, and the desperate reformism that led to the Golden Law of 13 May 1888.
Located in the eastern Brazilian Amazon roughly three hours by boat from the open Atlantic, the port city of Belém do Pará has been an important point of convergence for transnational flows of commodities, people, and culture, including a vast array of up-tempo Caribbean dance genres known locally as lambada. Since the late twentieth century, inhabitants of Belém and surrounding areas have sought to make a virtue of their liminal position between the hegemonic centers of southeastern Brazil and the circum-Caribbean. This article shows how musicians, dancers, listeners, and culture brokers draw on the local history of Caribbean cosmopolitan musicality to articulate an alternative Amazonian regional identity, one characterized by connectedness and proximity to their Caribbean neighbors rather than by isolation and provincialism. In so doing, the article contributes to the remapping of the cultural contours of Brazil, the Caribbean, the Amazon, and Latin America.
Discusses the relationship between squatters and the state in Brazil. Information on redemocratization in Latin America; Return of electoral democracy; Political transition from authoritarian to procedurally democratic regimes; Detailed information on the squatter settlements in Brazil; Distribution and sale of cocaine from public low-income housing projects; Information on prison authorities in Brazil.
In an effort to push the literature on music and collective identity to examine how the cognitive dimension of collective identity gets constructed, a study shifts away from the customary focus on lyrics, toward an analysis of the everyday discursive contexts of music scenes, such as rehearsals, informal commentary, and training seminars. By examining such contexts within the black gospel music scene in São Paulo, Brazil, the study discovers that a complex ideology of racial identity, infused with ideas drawn from North American history and the Bible, circulates within the scene.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. Explores how racial polemics are explicitly entangled with the politics of Revolution in Cuba. Adapted from the source document.
