Explores contestations over the reality and complexity of educational underachievement and whether this relates to broader political–economic marginalization (or privileging) of boys. Argues that boys’ underachievement should neither be ignored nor be the exclusive focus of attention and that a move from ‘boys’ underachievement’ to a broader analysis of ‘gender and education’ is needed, to place the debate in a gender relational context.
"This paper examines the tradition of misogynistic picong or satire in calypso songs recorded as artists moved from Trinidad to Britain during the period immediately after World War II. I argue that, while these traditions of anti-woman representation began in conflicts around race and class inequalities within Caribbean culture during the Depression, they came to take on an anti-colonial animus when translated to the mother country. Calypso singers' tales of their exploits with hapless wealthy Englishwomen thus functioned not simply to express superiority over other men from the Caribbean, but to challenge the forms of racial subordination that black male migrants encountered in Britain during the 1940s and 1950s." --The Author
Addresses the place of Carnival in the creation of a national cultural narrative in Trinidad and Tobago and examines the role that such a narrative plays in the formation of a coherent national cultural identity
On the roles of gender, migration, and sexuality in the concept of sexiles, or people who are geographically displaced because of their sexuality, in the Carribean. Analyzes the short story "La Cautiva" by Pedro Juan Soto, the novel "I Am a Martinician Woman" by Mayotte Capécia, and the novel "No Telephone to Heaven" by Michelle Cliff.
"Based on the example of migration to metropolitan France, this paper highlights the importance of systematising a gender perspective in the study of Caribbean migration." (author)
