This essay is framed around interpretations of Haiti's long history in order to demonstrate that there is neither curse nor punishment in Haiti's history; there is only intrigue, interest, and interference. The natural disasters whether earthquakes or hurricanes do not occur because of some rational targeting of the country but are the results of the arbitrariness of nature.
The recurrence of violence in Haiti since February 1986 has generated strong demands for reforms to the security and justice system, in the broader context and process of democratic construction. Important transformations have been implemented, but certain factors have hampered change. Challenges include an institutional culture that resists certain changes, weak links between the police and justice, inadequate support from international actors, and a deeply constraining economic context.
Argues that Haitians used music, and particularly religious singing, self-reflexively, in a culturally patterned way, to orient themselves in time and space, and to construct a frame of meaning in which to understand and act in the devastated Haitian capital. Non-Haitian observers noted with astonishment Haitians’ widespread use of song, but could not make sense of the singing.
