Within sectors of North America's African-American community, the colloquial expression "being touched by the brush" describes a multi-ethnic individual that possesses subtle Negroid physical features which are only detectable by close inspection by a "trained eye." Here, Edison discusses the historical factors in Puerto Rico and Panama that make up the foundation upon which Francisco Arrivi's "Los Vejigantes" and Carlos Guillermo Wilson's "Chombo" were constructed.;
Describes the reflections and experiences of conducting research with a group of excluded young people of African Caribbean descent. The project used participant photography to engage the participants. Concludes that visual research methods empower young people, minimizing the power relationship that can exist between the researcher and young person in conventional interviews.
