In 2004, Eduardo Bonilla-Silva published an article in which he argued that the US system of race is beginning to resemble that of Latin America. This article is a critical reply to Bonilla-Silva’s Latin Americanization thesis. The author introduces a Latin American perspective.
The central aim of this study is to estimate prevalence, ages of onset, severity, and associated disability of anxiety disorders among African Americans, Caribbean Blacks, and non-Hispanic whites in the U.S.
[Unedited] Considering a set of selected papers and texts from the 19th and 20th c., the ethnic discourses created around the Chilean genre (zama)cueca and its consequences are discussed. From a theoretical framework rooted in the idea of textual canon, the consolidation of the mestizo idea (or mixed race idea) over indigenous and black discourses describe, on the one hand, how these discourses connect concepts such authenticity and nationality, but on the other hand, how they exclude other narratives, promoting the imaginary of the Chilean culture through essentialist speculations., [unedited non–English abstract received by RILM] El presente ensayo ofrece una reflexión sobre los discursos creados en torno a la etnicidad del género (zama)cueca a través del análisis de una selección de textos escritos entre los siglos XIX y XX. A partir de un marco conceptual centrado en la idea de canon como texto con poder representativo, se analiza la consolidación de lo mestizo al interior de estos discursos y la forma en que éstos vincularon la danza con las ideas de autenticidad y nacionalidad, excluyendo otros relatos del canon y alimentando el imaginario cultural de lo chileno por medio de especulaciones de carácter esencialista.; [Unedited] The complexity of Cuba's history, politics, and cultural makeup is surpassed only by the religious intricacies that animate its contemporary landscape. Spanish Catholicism and West African Lucumi religions, as well as their syncretized offspring, have long dominated religious scholarship. However, there is an escalating force that has the possibility to change Cuba's spiritual scene in the coming decades. Protestantism, brought to the country by American missionaries after the Spanish-American war in 1898, has been increasing in popularity in recent years. Many contemporary Cuban Protestant denominations have embraced 21st-c. modernity by incorporating popular styles into church music, using technology to increase interaction during services, and allowing charismatic worship practices to enter the church. All of these changes have made Protestantism a magnet for new believers. This dissertation examines the culture of Cuban evangelical churches and takes specific notice of an emergent genre of music that is appearing in several denominations. Alabanza y adoración (praise and worship) music, though not novel to the United States, has taken on new meaning in the worship services of Havana's metropolitan congregations. This music is significant because it marks a shift from the traditionalism of hymnody to the progressivism multi-influenced praise and worship. Popular music styles of Cuba such as salsa and son along with the global sounds of praise and worship music from the United States and Latin America have been adopted to fit the needs of Cuban congregations. I explore the world of Havana's evangelical subculture through field data gathered from interviews and observation of church services. I consider what it means to be a 'Christian' in Cuba as well as what it means to be a member of an evangelical denomination, two sources of identity in tension with one another. The Iglesia Metodista Unida (United Methodist Church), Iglesia Evangélica Pentecostal Asambleas de Dios (Assemblies of God Pentecostal Evangelical Church), and the Fraternidad Bautista (Baptist Fraternity) are the main field sites that provide case studies for this dissertation. Additionally, I examine the layered experiences within the subculture, particularly those of youth and Afro-Cuban participants.
Christina A. Sue commented on my 2004 article in Ethnic and Racial Studies on the Latin Americanization of racial stratification in the USA. Almost all her observations hinge on the assumption that racial stratification in Latin American countries is fundamentally structured around ‘two racial poles’. I disagree with her and in my reply do three things. First, I address three major claims or issues in her comment. Second, I point out some methodological limitations of American-centered race analysis in Latin America. Third, I conclude by discussing briefly the Obama phenomenon and suggest this event fits in many ways my Latin Americanization thesis.
During the early 1970s the U.S. songwriter, musician, and producer Van Dyke Parks completed work on a series of albums exploring the musical contours of the circum-Caribbean region and, through them, broader patterns and issues in 20th-century relations between the U.S. and the Caribbean.
