This essay investigates the key tensions that arise within Jamaica's new cultural policy "Toward Jamaica the Cultural Superstate." The argument presented in the paper is that "culture" is a tricky and potentially dangerous site upon which to hinge national development goals, even though the expansion of cultural industries may well represent a viable and potentially lucrative strategy for economic development. This is because invariably, "culture" cannot do the work policy makers would like it to do, and its invocation within policy spheres usually already signals a kind of developmental distress, a perceived need for retooling through a form of social engineering. In other words, "culture" (in the anthropological sense) reflects and shapes, yet cannot in and of itself solve the most pressing challenges facing Jamaica today. [ABSTRACT FROM AUTHOR];
The African diaspora's search for both a collective voice and a freedom of identity has led many writers to be liberated only at the expense of being marketed and made part of the publishing machine. Forbes compares this marketplace to the "trading post," referring to the contact points where African slaves were bought and sold. Searching for new targets, many times the African diaspora's voice is cut by sales driven marketing. In illustrating his points, Forbes focuses on five travel narratives in this essay, including books by such authors Mary Seacole, Marlene Nourbese Philip, Jamaica Kincaid, Terry McMillan, and John Edgar Wideman.;
De qué manera puede el desarrollo influir y ser influido por el servicio doméstico? En la primera parte se plantean las posibles relaciones entre estos dos fenómenos y en seguida las tendencias generales en la industria del servicio doméstico. Las características de las trabajadoras domésticas se discuten en la segunda parte. En la tercera parte se detallan los patrones del servicio doméstico, el crecimiento económico, la modernización y la migración en Malasia, Zambia y Canadá, lo que revela dinámicas tanto compartidas como únicas y genera preguntas sobre las relaciones entre las trabajadoras domésticas y el Estado, las relaciones raciales, la (re)construcción del papel de género, clase y nociones de modernidad y los vínculos que guardan estas cuestiones con el desarrollo. Las observaciones en la cuarta parte reiteran las tendencias detectadas en los estudios de caso y delinean las inquietudes que de ahí se derivan.;
n Cuba, race, nation, and popular music were inextricably linked to the earliest formulations of a national identity. This article examines how the racialized discourse of blanqueamiento, or whitening, became part of a nineteenth-century literary narrative in which the casi blanca mulata, nearly white mulatta, was seen as a vehicle for whitening black Cubans. However, as the novels of Cirilo Villaverde and Ramón Meza reveal, the mulata's inability to produce entirely white children established the ultimate unattainability of whiteness by nonwhites. This article analyzes the fluidity of these racial constructs and demonstrates that, while these literary texts advocated the lightening of the nation's complexion over time, they also mapped the progressive "darkening" of Cuban music as popular culture continued to borrow from black music;
