In her book Louisiana, Erma Brodber reflects on the alliances that should exist between the African American and Afro Caribbean peoples, symbolically repairing the fissures that exist between the two, while addressing an uncommon subject in Caribbean migrant literature. Brodber's literary themes toward the unification of the relationships shared amongst the black diaspora articulate the legal tensions and national differences that can impede these alliances. Although Brodber's novel approaches this by creating a reconnection of the African diaspora in a borderless and nationless transmigration, and sometimes through a spaceless spirit world, Page argues that in reality this reunification is affected by the rules of the state that simply cannot be ignored.;
The aim of this research article is to investigate how pupils from Black Caribbean backgrounds are helped to achieve high standards in British schools and to identify a number of significant common themes for success in raising the achievement
Discusses the struggle for freedom and full citizenship in the Caribbean. Background on the Haitian Revolution which is recognized as the third pillar in the making of modern citizenship and freedom; Factors that affect the effort of Caribbean people to fight for universal citizenship; Manifestations of the differential valuing of white and black bodies in the Caribbean; Lessons being taught by the Caribbean history.
"While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
"In this article, I revisit debates about so-called matrifocal societies as a way to critique the centrality of heteronormative marriage and family in anthropology. Using gender as a tool of analysis, I argue that anthropologists have relied on the trope of the dominant heterosexual man, what I call the "Patriarchal Man," to create and sustain concepts of "marriage" and "family." By examining the discourse on matrifocality in studies of Afro-Caribbean and Minangkabau households, I show how it is the "missing man," the dominant heterosexual man, who is the key to the construction and perpetuation of the matrifocal concept and, by extension, the motor of marriage, family, and kinship. This fixity on the dominant heterosexual man has led anthropologists to misrecognize other forms of relatedness as less than or weaker than heteronormative marriage. I suggest that, rather than positing a foundational model for human sociality, intimacy, or relatedness, researchers look for webs of meaningful relationships in their historical and social specificity." (author)
