Explores the pros and cons of postcolonial criticism through a zombie, a sensationalized symbol of Afro-Antillean bondage. How reworking the zombie in various cultural and political contexts lays bare the pleasures and perils of postcolonialism; Information on the novel Beso de la mujer araña, by Manuel Puig; Description of the book Wild Saragasso Sea, by Jean Rhys; Discussion on the book The Famished Road, by Ben Okri.;
Fischer reviews the two-volume work Blackness in Latin America and the Caribbean: social dynamics and cultural transformations, by Norman E. Whitten Jr. and Arlene Torres>
Reviews Mullen's examination (Greenwood Press, 1998, 236p) of Afro-Cuban literature. Notes that this study is "perceptive" and "important" to the field of Afro-Hispanic literary criticism.;
Interviews Afro-Costa Rican writer Quince Duncan. Discusses the lack of critics who are familiar with Black literature in Costa Rica; asks Duncan to compare North American and Latin American criticism of his work, asks Duncan about his latest projects and the direction of his work; and compares Duncan's work with that of Alejo Carpentier and Manuel Zapata Olivella. Also touches upon language usage, the theme of literature of combat, and Duncan's future plans.;
Examines how the Mocko Jumbie stilt-dancing masquerade evolved in the U.S. Virgin Islands. Contends that an upper Guinea coast provenance appears more likely than origins in southeastern Nigeria
Discusses Ethiopianism and Pan-Africanism as philosophies based on the premise that the alliances of the blacks of Africa and the diaspora are not limited by borders. These philosophies, both grounded in Atlantic crossings, are arguably part of the process of completing emancipation through their creation of a new discursive space for blacks, what Brodber terms "Blackspace." --Kezia Page, Transnational negotiations (2011, p. 68)