Presents an article on Jamaican art and the early artistic production of Edna Manley and Albert Huie, two artists that are commonly identified in art historical accounts as pioneers in the development of a national Jamaican art. Problem of race and representation in Jamaica as perceived by Huie and Manley; Character which held a particular representational significance for Huie and Manley; Role of Ethiopianism, Rastafarianism, Garveyism, and cultural nationalism in Jamaica.;
Focuses on the Aunt Jemima stereotype of African womanhood and motherhood. Impact of the stereotype on African Caribbean women whose lives have been obscured by this image; Discussion on how a re-invented Aunt Jemima is reflected in the religious symbols of the Spiritual Baptists Church in Toronto, Ontario and the religious lives of individual women; Examination of the symbolic reinterpretation of Aunt Jemima within the everyday lives of immigrant African Caribbean women in Toronto.;
Reviews two books. "Haitian-Dominican Counterpoint: Nation, Race and State on Hispaniola," by Eugenio Matibag; "The Development of Literary Blackness in the Dominican Republic," by Dawn F. Stinchcomb.;
Focuses on the role of women and women's bodies in Trinidad Carnival. Information on the book 'Afro-Creole: Power, Opposition and Play in the Caribbean; Views on the Janus-faced effect of women's bodily performance; Collusion of global capitalism in the marketing and commodification of Caribbean popular culture.
