African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
526 p, "This dissertation is about musical meaning, specifically referring to the musical practices of black people in Colombia's southern Pacific coast which are imbricated within a number of different systems of meaning. It begins by examining the ritual, social, and spatial uses of music in the Pacific, before pulling apart this cluster of practices to reveal a web of rival forms of sociality and overlapping belief systems from which modern Pacific music originated."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
92 p, Investigates the power of stories told within Caribbean dancehall music and culture that present “good reasons” that are adopted by members of that culture. Shows that dancehall stories reveal powerful ideological frames that “naturalize” ways of being within Caribbean dancehall culture. Various relationships between “good reasons” presented in lyrical stories and the adoption of these “good reasons” by participants in their own stories emerged as well.
