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2. Azucar negra: (Re)envisioning race, representation, and resistance in the afrofeminista imaginary
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Guyton Acosta,Kiley Jeanelle (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2013
- Published:
- New Mexico: The University of New Mexico
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 321 p., Locates contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital media. Examines the development of afrofeminismo in relation to colonial sexual violence in sugar-based economies to explain how colonial dynamics inflect ideologies of blanqueamiento/embranquecimento (racial whitening) and pseudo-scientific racial determinism. In this context, the author addresses representations of the mujer negra (black woman) and the mulata (mulatto woman) in Caribbean and Brazilian cultural discourse.
3. Entangled Roots: Race, Historical Literature, and Citizenship in the Nineteenth-Century Americas
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Genova,Thomas (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- California: University of California, Santa Cruz
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- Examines in the transnational conversation on the place of Afro-descendants in the republican nation-state that occurred in New-World historical literature during the 19th century. Tracing the evolution of republican thought in the Americas from the classical liberalism of the independence period to the more democratic forms of government that took hold in the late 1800s, the pages that follow will chart the circulation of ideas regarding race and republican citizenship in the Atlantic World during the long nineteenth century, the changes that those ideas undergo as they circulate, and the racialized tensions that surface as they move between and among Europe and various locations throughout the Americas. Focusing on a diverse group of writers--including the anonymous Cuban author of Jicoténcal; the North Americans Thomas Jefferson, James Fenimore Cooper, and Mary Mann; the Argentines Domingo Faustino Sarmiento and Eduarda Mansilla de García; the Dominican Manuel de Jesús Galván; the Haitian Émile Nau; and the Brazilian Euclides da Cunha.
4. New city in a new world: literary spaces of an Afro-Jewish Brazillian neighborhood
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Carvalho,Bruno Martins (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2009
- Published:
- Cambridge: Harvard University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 226 p., A cultural history of Rio de Janeiro's Cidade Nova from the arrival of the Portuguese court in 1808. The area became identified with Afro-descendents and Ashkenazi Jews, but it was also inhabited by Spanish, Italian and Portuguese immigrants. discusses intersections between literary imaginaries and urban experiences, involving topics like social segregation, cultural memory, spatial porosity, cognitive mapping, and the idea of the city as a palimpsest.
5. Novels of decolonization in modernity: Malambo, Um defeito de cor, and Fe en disfraz
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Souza Hogan,Maria Leda (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2014
- Published:
- Massachusetts: University of Massachusetts Amherst
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 243 p., Analyzes three novels by contemporary female Caribbean and Latin American Afro-descendent writers of the diaspora: Peruvian Lucía Charún-Illescas' Malambo (2001), Brazilian Ana Maria Gonçalves' Um defeito de cor (2006), and Puerto Rican Mayra Santos-Febres' Fe en disfraz (2009). In these texts, the old and the new intermingle in the space of the narrative. The colonial past is reexamined and reconstructed out of the need to understand its reminiscences into the present and the necessity to transform the future.
6. Postcards from the edge-city: Mass-media and photographic images in contemporary novels of the Black diaspora
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Mason,Lauren Camille (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Michigan: Michigan State University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 164 p., Explores four contemporary novels and a film that rely heavily on photographic and mass-media images to illuminate, articulate, and critique modern-day Black urban existence: Patrick Chamoiseau's Texaco (1997), Chris Abani's Graceland (2004), John Edgar Wideman's Fanon , Paulo Lins' Cidade de Deus (1997), and Fernando Meirelles' 2002 film adaptation of Lins' novel City of God . Chapters examine the ways in which photographic and/or mass-media images are used as narrative tropes or devices for representing the material conditions of an emerging slum existence. The author argues that each text reveals a preoccupation with the rise of global urbanism and visual culture as new types of discursive spaces--new kinds of "texts"-- that shape not only the real life of black people, but also the literary landscape of Black writing across the globe.
7. Re-configuring paternal legacies through ritualistic art: Daughters and fathers in contemporary fiction by women of African descent
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Pierre-Louis,Barbara Gina (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- Minnesota: University of Minnesota
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 233 p., Analyzes three contemporary novels by Black women authors to argue that their daughter-protagonists gain a sense of their own subjectivities as women of African descent through their imaginative and creative responses to their respective muted paternal histories and legacies. These responses motivate the creation of ritualistic art forms rooted in communal practices such as storytelling, sculpting, music, dance-drama, folk medicine, and traditional cuisine. Maps the centrality of family, community, rituals, and art to the development of female subjectivity as represented in Marilene Felinto's As mulheres de Tijucopapo / The Women of Tijucopapo , Edwidge Danticat's The Dew Breaker , and Gayl Jones's Corregidora.
8. Representation of people of color in the nineteenth century slavery novel in Cuba and Brazil
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Moore,Kendal (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2009
- Published:
- Florida: Florida International University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 211 p., Explores the similarities and differences which characterize the depiction of people of color in certain representative 19th century Cuban and Brazilian slavery novels as a function of the authorial approach of each territory's literary tradition toward the issues of slavery, racial prejudice, and people of color. The selected texts, derived from the peak periods in slavery literature of each territory, include Francisco , by Anselmo Snárez y Romero; Sab , by Gertrudis Gómez de Avellaneda; Cecilia Valdés , by Cirilo Villaverde; A escrava Isaura , by Bernardo Guimarães; O mulato , by Aluísio Azevedo; and Bom-Crioulo , by Adolfo Caminha. While the present study explores the enslavement, abuse, and discrimination of people of color as a consequence of a deep-seated discourse of power, privilege and racial superiority, it focuses more extensively on the representation of people of color, particularly in their capacity to constructively appropriate the cultural values of the white dominant group and recognize their identity as ambiguous.
9. Revaluing the Dynamics of Orality in the Continental Caribbean Literature of Colombia
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Castillo,Marisol (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- California: University of California, Los Angeles
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 152 p., Sheds light on the importance of orality as it is embedded in the cultural traditions of the Colombian Caribbean. Examines the different ways in which orality is manifested and produced in Colombian popular culture and literature. Also explores the dynamics of "primary orality," in which orality compensates for the absence of knowledge or usage of a written alphabet, and "secondary orality," in which orality is sustained by a technological device, in this case the cassette.
10. The New Negro Flow and the Black Atlantic: The Musical Discourse of the Literary Griots of the Americas
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Gras,Delphine (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Seattle, WA: University of Washington
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 249 p., Investigates the role of music in 20th century literature of the Americas. It expands the concept of the New Negro Renaissance in terms of time, place, and language. Previous studies have diminished the geographical and temporal extent of this defining moment, locating it in Harlem, starting in 1919 with the end of WWI and the Great Migration, and ending with the 1930 Great Depression. This project departs from this traditional account, demonstrating that what is usually perceived as a North American phenomenon was, in fact, international from its inception. Paying particular attention to the United States and the Caribbean, it examines "The New Negro Flow," which represents the discussion occurring during the first half of the 20th century between places in the Americas where there had been a large transplanted Black population.