168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
344 p., Explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals--from lawmakers and professionals to intellectuals and activists to workers and their families--established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identity. Studies of pre-revolutionary Cuba dichotomize race and gender in their analyses of citizenship and national identity formation. As such, they devote insufficient attention to the role of Afro-Cuban women in engendering social transformations.
95 p., While Pan-Africanism is largely understood as Black men's fight for colonial liberation and state independence, women played an important and often unheralded role. This thesis challenges the masculinist history of Pan-Africanism using Amy Ashwood Garvey's life to highlight women's intellectual and political contributions to the movement. The author discusses Ashwood Garvey's role in co-founding the Universal Negro Improvement Association (UNIA) and her work with the International African Friends of Abyssinia (IAFA), the International African Service Bureau (IASB), the Council of African Affairs, and the Fifth Pan-African Congress held in 1945. In addition to being an ardent Pan-Africanist, Ashwood Garvey was also a feminist who fought for women's equality through a wide range of anti-imperialist activities. Using her life as a lens through which to examine feminism's intersection with antiracist and anti-imperialist activism, this thesis underscores the fact that, for women throughout the African diaspora, struggles around race, gender, and colonialism operate in a symbiotic relationship to one another.
