African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Desirada was awarded the prestigious Prix Carbet de la Caraibe in 1998 given for the best book by a Caribbean author, 280 p, Desirada is the story of Marie-Noelle and her quest to understand the mother who abandoned her, and discover the identity of her father, despite the opposing stories from her mother and her grandmother. It is also the story of generations of island women and the pursuit of a meaningful life despite a tainted personal history.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
Esteves,Carmen C. (Author) and Paravisini-Gebert,Lizabeth (Author)
Format:
Book, Whole
Publication Date:
1991
Published:
New Brunswick, NJ: Rutgers University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p, Contents: Tétiyette and the devil / Anonymous (Guadeloupe) -- Little Cog-burt / Phyllis Shand Allfrey (Dominica) -- Cotton Candy / Dora Alonso (Cuba) -- See me in me Benz and t'ing : like the lady who lived on that isle remote / Hazel D. Campbell (Jamaica) -- They called her Aurora (a passion for Donna Summer) / Aida Cartagena Portalatín (Dominican Republic) -- Columba / Michelle Cliff (Jamaica) -- A pottage of lentils / Marie-Thérèse Colimon-Hall (Haiti) -- Three women in Manhattan / Maryse Condé (Guadeloupe) -- Hair / Hilma Contreras (Dominican Republic) -- Piano-bar / Liliane Dévieux (Haiti) -- Barred : Trinidad 1987 / Ramabai Espinet (Trinidad) -- The poisoned story / Rosario Ferré (Puerto Rico) -- Cocuyo Flower / Magali García Ramis (Puerto Rico) -- How to gather the shadows of the flowers / Ángela Hernández (Dominican Republic) -- Opéra Station. Six in the evening. For months-- / Jeanne Hyvrard (Martinique/France) -- Girl / Jamaica Kincaid (Antigua) -- No dust is allowed in this house / Olga Nolla (Puerto Rico) -- Widow's walk / Opal Palmer Adisa (Jamaica) -- Parable II / Velma Pollard (Jamaica) -- Red flower / Paulette Poujol-Oriol (Haiti) -- The day they burned the books / Jean Rhys (Dominica) -- Lola or the song of spring / Astrid Roemer (Surinam) -- Brights Thursdays / Olive Senior (Jamaica) -- ADJ, Inc. / Ana Lydia Vega (Puerto Rico) -- Of nuns and punishments / Bea Vianen (Surinam) -- Passport to paradise / Myriam Warner-Vieyra (Guadeloupe) -- Of natural causes / Mirta Yáñez (Cuba)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p, Contents: Introduction: The Third Wave -- Guanahani -- Waves and Echoes -- Olive Senior: Country Air and Juggled Worlds -- Summer Lightning: Customs of the Country -- Arrival of the Snake-Woman and Discerner of Hearts: The Wider World -- Zee Edgell: The Belize Chronicles -- Beka Lamb: A Lesson in History -- In Times Like These: Growing into Home -- Shiva Naipaul: Choreographer of Chaos -- Essays and Stories -- Fireflies: Illuminating the Void -- The Chip-Chip Gatherers: Ropes Across the Abyss -- A Hot Country: Too Much Nothing -- Caryl Phillips: The End of All Exploring -- The Final Passage: The Book of the Parents -- A State of Independence: The Book of the Sons -- Cambridge: The Book of the Ancestors -- Robert Antoni: The Voyage In -- Short Fiction -- Divina Trace: The Tale of Telling.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
125 p, A novel by Trinidadian author Samuel Selvon. Its publication marked the first literary work focusing on poor, working-class blacks in the beat writer tradition following the enactment of the British Nationality Act 1948.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
185 p, Contents: Pt. 1. Myth as a historical mode : Lo real maravilloso americano -- Lo real maravilloso in Caribbean fiction -- The folk imagination and history : El reino de este mundo, The secret ladder, and Le quatrième siècle -- Pt. 2. The problematic quest for origins -- The myth of El Dorado : Los pasos perdidos and Palace of the peacock -- Pt. 3. Myth and history : the dialectics of culture -- History as mythic discourse : El siglo de las luces, Tumatumari, and La case du commandeur -- The poetics of identity and difference : Black Marsden and Concierto barroco
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
462 p., On a Caribbean island in the 1950s, elderly Mary Gertrude Mathilda commits murder. As she explains herself to police, her story exposes the ugly underbelly of life on Caribbean plantations, with its slavery and brutality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
250 p, Francis Sancher--a handsome outsider, loved by some and reviled by others--is found dead, face down in the mud on a path outside Riviere au Sel, a small village in Guadeloupe. None of the villagers are particularly surprised, since Sancher, a secretive and melancholy man, had often predicted an unnatural death for himself. As the villagers come to pay their respects they each--either in a speech to the mourners, or in an internal monologue--reveal another piece of the mystery behind Sancher's life and death. Like pieces of an elaborate puzzle, their memories interlock to create a rich and intriguing portrait of a man and a community.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p, Contents: Caribbean modernist discourse : writing, exile, and tradition -- From exile to nationalism : the early novels of George Lamming -- Beyond the Kala-pani : the Trinidad novels of Samuel Selvon -- Deformation of modernism : the allegory of history in Carpentier's El siglo de las luces -- Modernism and the masks of history : the novels of Paule Marshall -- Writing after colonialism : Crick crack, Monkey and Beka lamb -- Narration at the postcolonial moment : history and representation in Abeng
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
126 p, Contents: The book is organized as a series of essays on related topics all applied to Caribbean women's fiction: white women writers; madness; postcolonial theory, female subjectivity, Bakhtin's Carnival image; ideology (Elaine Savory)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
310 p, "First published in 1970, this pioneering account of the emergence of the West Indian Novel in English has been at the centre of the development of West Indian Literature as an academic discipline." (Ian Randle Publisher)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
147 p, The Caliban-Prospero encounter in Shakespeare's "The Tempest" has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed Indian and Scottish heritage from Trinidad.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
672 p., This novel captures the “glittering string” of islands and their history; beginning in 1310, through Columbus's arrival, and the “bloody slave revolt” of Haiti to the rise of Castro. It deals with revolution and romance, slavery and superstition.
Allende,Isabel (Author) and Peden,Margaret Sayers (Translator)
Format:
Book, Whole
Publication Date:
2010
Published:
New York: Harper
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
457 p, The story of a mulatta woman, a slave and concubine, determined to take control of her own destiny in a society where that would seem impossible
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
149 p., Examines Marshall's use of the trope of travel within and between the United States and the Caribbean to critique ideologies of development, tourism, and globalization as neo-imperial. This examination of travel in Marshall's To Da-Duh, In Memoriam; The Chosen Place, The Timeless People; Praisesong for the Widow; and Daughters exposes the asymmetrical structures of power that exist between the two regions.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
389 p., Thirteen-year-old Hazel leaves her comfortable, if somewhat unconventional, London home in 1913 after her father has a breakdown, and goes to live in the Caribbean on her grandparents' sugar plantation where she discovers some shocking family secrets.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
161 p., An anthology of short stories focusing on people of the Caribbean. The characters face problems of freedom, history, race, class, violence, entrapment, and morality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, The West Indian narrator vents her bitterness at the unhappy life fate dealt her--mother died in childbirth, father ignored her, stepmother tried to kill her, at school she had an abortion. Finally, she married a white doctor, but it was impossible for her to love him because he was a colonialist. She draws parallels with the despair of her country--Dominica--attributing it to the legacy of slavery. By the author of Lucy.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
148 p, Episodes from the young life of Annie John, aged 10 to 17, as she grows up on the Caribbean Island of Antigua. This is a magical coming-of-age tale, ripe with the special ambience of its tropical setting and sustained by Annie's far from naive awareness of the world around her. Death, illness, and poverty intrude on the narrator's perceptive sensibility from time to time, but even these experiences instruct her and expand her understanding of life and its shifting reality.Although Annie leaves Antigua at the end of the novel for a new role as a student in England, the hollowness she feels at her departure is balanced by the new self that awaits her as she begins the search for her own identity. A poetic and intensely moving work from the author of At the Bottom of the River.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
v, 174 leaves ; 29 cm., This novel is a contemporary novel that deals with the history of france; "UMI:9959638."/ Includes bibliographical references ( 167-174)./ Reproduction: Photocopy./ Ann Arbor, Mich. :/ UMI,/ 2000./ v, 174 ; 21 cm.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
192 p, Book Description Using a multifaceted approach, this study explores questions of identity in novels by Dany Bbel-Gisler, Maryse Cond, and Emile Ollivier. As signs, narrators and characters are connected to each other dialogically and produce multilayered narratives that problematize the concept of a cohesive and static collective identity. In revealing identity to be a constantly fluctuating semiotic process, the study shows that Caribbean Francophone narrative is creating a new literary space where the dialogic underpinnings of the self are called upon to express the difficulties, the heterogeneity, and the opacity of meaning associated with any definition of a cultural or national identity. (Amazon);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
xi
Notes:
290 p, Introduction. Conceptualizing creoleness : French Caribbean "postcolonial" discourse. -- La Lézarde : Alienation and the poetics of Antillanité. -- En attendant le bonheur : Creole conjunctions and cultural survival. -- LIsole Soleil/Soufrières : textual creolization and cultural identity. -- LAutre qui danse : the modalities and multiplicities of Métissage. -- Solibo magnifique : carnival, opposition, and the narration of the Caribbean maroon. -- Conclusion. Creolizing the colonial encounter.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
368 p., A series of extended, illuminated moments in the history of Spanish and British imperialism in the Caribbean: Raleigh's final, shameful expedition to the New World; Francisco Miranda's disastrous invasion of South America in the eighteenth century; the more subtle aggressions of the mid-twentieth-century English writer Foster Morris; the transforming and distorting peregrinations of Blair, the black Trinidadian revolutionary.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
361 p., "I wrote Transfer Day as a way to honor the people of the Virgin Islands and to honor the upcoming Centennial celebration in 2017." --The Author
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
171 p, A novel by Trinidadian author Samuel Selvon. Its publication marked the first literary work focusing on poor, working-class blacks in the beat writer tradition following the enactment of the British Nationality Act 1948.
