African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p., Expanding on Audre Lorde's vision of embodied, even "useful," desire, Jafari S. Allen shows how black Cubans engage in acts of "erotic self-making," reinterpreting, transgressing, and potentially transforming racialized and sexualized interpellations of their identities. He illuminates intimate spaces of autonomy created by people whose multiply subaltern identities have rendered them illegible to state functionaries, and to most scholars. In everyday practices in Havana and Santiago de Cuba--including Santeria rituals, gay men's parties, hip hop concerts, the tourist-oriented sex trade, lesbian organizing, HIV education, and just hanging out--Allen highlights small but significant acts of struggle for autonomy and dignity.
Index number: AMR 25/007/2012, 18 p., Criticism of the government is not tolerated in Cuba, and it is routinely punished with arbitrary and short-term detentions, intimidation, harassment, and politically motivated criminal prosecutions. Amnesty International makes recommendations to the Cuban government aimed at ensuring greater respect for the rights to freedom of expression, association, assembly, and movement.
Index number: AMR 25/005/2010, 35 p., In Cuba the state has a virtual monopoly of press and broadcast media and tight restrictions apply to the internet. Anyone who expresses views critical of the government runs the risk of harassment, arbitrary detention, and criminal prosecution. With dozens of prisoners of conscience continuing to serve long prison sentences in Cuba for exercising freedom of expression, Amnesty International calls on the authorities to stop the harassment and intimidation of dissidents, release prisoners of conscience, amend repressive legislation, and enable greater exchange of information through the internet and other media. Tables.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p., Examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as "backward" and counter to the interests of the young Republic. Includes analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
