Houston,Elsie (Author) and Araujo,Emanoel (Author)
Format:
Book, Whole
Publication Date:
2003
Published:
São Paulo: Negras Memórias
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
32 p, Catalog from the exhibition, Negras Memórias, Memórias de Negros. "Outubro 2003"--Colophon. Disc offers a selection of 14 tracks recorded from 1930, all presenting themes and folk rhythms and songs.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p, This work describes how slaves, mariners and merchants brought African music from Angola and the ports of East Africa to Latin America, and to Brazil in particular
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia’s black cultural renaissance, the traditions of rural migrants, and currents in new popular music.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
116 p, Very few references to the participation of black women in Brazilian classical music throughout history. Sergio Bittencourt-Sampaio analyzes the career of two black performers rare success in this area - Joaquina Maria da Conceição Lapa (Lapinha) and Camila Maria da Conceição. These two precursors, distanced by exactly one century were women of remarkable determination and achieved wide recognition through talent, amid a slave and patriarchal society.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
173 p, Contents: O intérprete negro na música brasileira nos séculos XVIII e XIX -- Joaquina Maria da Conceição Lapa (Lapinha) -- Camila Maria da Conceição -- Principais apresentações e repertório de Joaquina Maria da Conceição Lapa (Lapinha) --Pincipais apresentações de Camila Maria da Conceição (1892-1908).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally presented as the author's thesis (master's)--Programa de Pós-Graduação em História da Faculdade de Ciências e Letras da Universidade Estadual Paulista, 1998., 204 p.
Rio de Janeiro: Ministério da Educação e Cultura, Departamento de Assuntos Culturais, Fundação Nacional de Arte, Campanha de Defesa do Folclore Brasileiro
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
35 p, Faz parte de um projeto não concluído do autor, sobre a presença e influência da música popular nos primórdios do cinema brasileiro. Alex Viany, historiador, crítico e ensaísta acompanhou de perto o nascimento do Cinema Novo, trabalhou em Holloywookd para a revista Cruzeiro entre 1945 e 1948, dirigiu filmes, sendo os mais importantes Agulha no Palheiro (1962) e A Noiva da Cidade (1978)
