African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
288 p, Explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. Draws on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature. The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history -- the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
235 p, An interpretation of the life, works, and social context of Jamaican poet McKay (1890-1948), one of the central figures of the Harlem Renaissance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Revision of thesis (Ph.D.)--Rutgers University, New Brunswick., 441 p, Traces the life and career of the Jamaican-born writer, describes his complex personality, and looks at his poetry, fiction, and social criticism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
294 P., First published in 1942 at the crest of her popularity, this is Zora Neale Hurston's unrestrained account of her rise from childhood poverty in the rural South to prominence among the leading artists and intellectuals of the Harlem Renaissance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols (962 p)., Accessible to students and general readers, this encyclopedia overviews the lives and works of Caribbean authors. Because Caribbean literature is so much a reflection of regional concerns, the encyclopedia gives special attention to the political, cultural, and historical contexts in which Caribbean authors have lived and worked.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1001 p, Contents include: TELL MY HORSE -- Part 1. Jamaica -- The rooster’s nest -- Curry goat -- Hunting a wild hog -- Night song after death -- Women in the Caribbean -- Part 2. Politics and personalities of Haiti -- Rebirth of a nation -- The next hundred years -- The black Joan of Arc -- Death of Leconte -- Part 3. Voodoo in Haiti -- Voodoo and the voodoo gods -- The Isle of La Gonave -- Archahaie and what it means -- Zombies -- Sect rouge -- Parlay cheval ou (Tell my horse) -- Graveyard dirt and other poisons -- Doctor Reser -- God and the Pintards -- Songs of worship to voodoo gods: Maitresse Ersulie ; Férailke ; Rada ; Janvalo (Jean Valdo) -- Saint Jacques ; Petro ; Ibo ; Damballa ; Ogoun ; Salongo ; Loco ; Mambo Isan ; Dambala ; Agoë (Agoué te royo) ; Sobo ; Ogoun -- Miscellaneous songs: Sect rouge ; Chant beginning all rada ceremonies ; La mystérieuse méringue / A.L. Duroseau ; Etonnement, méringue caractéristique / A. Herandez ; Bonne humeur, méringue Haitïenne / Arthur L. Duroseau ; Olga, méringue par / Arthur Lyncíe Duroseau ; Chanson de Calicot ; La douceur --
