African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
242 p, This survey is a synthesis of the economic, social, cultural, and political history of the Atlantic slave trade, providing the general reader with a basic understanding of the current state of scholarly knowledge of forced African migration and compares this knowledge to popular beliefs. The Atlantic Slave Trade examines the four hundred years of Atlantic slave trade, covering the West and East African experiences, as well as all the American colonies and republics that obtained slaves from Africa. It outlines both the common features of this trade and the local differences that developed. It discusses the slave trade's economics, politics, demographic impact, and cultural implications in relationship to Africa as well as America.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
320 p., While most writing on Cuba seeks to analyse the island's socialist experiment from the perspective of either its internal dynamics or international relations, this book attempts to understand the revolutionary process as part of a counter-current against neoliberal globalisation. Now that neoliberalism is in crisis, Cuba's promotion of socialist values is finding a renewed relevance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
329 p., Just beneath the surface of most scholars’ research on the ethno-racial composition of Spanish-speaking America lies a definitive connection between the African Diaspora and the Latin American identity. Although to a lesser extent, this is also true of Portuguese-speaking Brazil––the existence of African-related people and their role as an integral part of the total Latin ethnicity currently appears to be more readily accepted and discussed in Brazil than in other Latin American countries. Afro-Peruvians, Afro-Colombians, Afro-Venezuelans, Afro-Uruguayans, or Afro-Mexicans––to name just a few––are rarely openly acknowledged in most of Spanish-speaking Latin America.
Jackson: University Press of Mississippi Jackson, MS, United States
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Brazilian berimbau, a musical bow, is most commonly associated with the energetic martial art/dance/game of capoeira. But the instrument has played a prominent role in several genres of Brazilian music from the 1950s to the present, including bossa nova, samba-reggae, música popular brasileira (MPB), electronic dance music, Brazilian art music, and more. Berimbau music spans oral and recorded historical traditions, connects Latin America to Africa, juxtaposes the sacred and profane, and unites nationally constructed notions of Brazilian identity across seemingly impenetrable barriers. The berimbau is discussed beyond the context of capoeira, exploring the bow's emergence as a national symbol. It engages and analyzes intersections of musical traditions in the Black Atlantic, North American popular music, and the rise of global jazz.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p., Looks primarily at Negrismo and Negritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas.
Wynter,Sylvia (Author), Bogues,Anthony (Author), and Eudell,Demetrius Lynn (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
Kingston ; Miami: I. Randle
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: London : J. Cape, 1962., 340 p., Written in the late 1950s on the cusp of Jamaica's independence from Britain, The Hills of Hebron tells the story of a group of formerly enslaved Jamaicans as they attempt to create a new life and assert themselves against the colonial power.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: 1953., 272 p., A powerful reflection on colonial Jamaica and the condition of the urban poor, told through the voices and stories of several boldly drawn characters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
772 p., George Gershwin introduced Afro Cuban Music in America in 1926. Xavier Cugat during the 1930's introduced The Rumba dance. Three great innovations based on Cuban music hit the USA after World War II: the first was Cubop, the latest Latin jazz fusion. The rumbustious conguero Chano Pozo was also important, for he introduced jazz musicians to basic Cuban rhythms. Cuban jazz has continued to be a significant influence. The mambo first entered the United States around 1950, though ideas had been developing in Cuba and Mexico City for some time.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
259 p., Explores the many aspects of Negritude - both as a concept and as a movement. Provides an account of its historical origins and examines the sociological and ideological background of themes that have preoccupied French-speaking black writers and intellectuals.
