African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
307 p, Contents: On diaspora and the Akan in the Americas -- Quest for the river, creation of the path: Akan cultural development to the sixteenth century -- History and meaning in Akan societies, 1500-1800 -- The most unruly: the Akan in Danish and Dutch America -- The antelope (adowa) and the elephant (esono): the Akan in the British Caribbean -- All of the Coromantee country: the Akan diaspora in North America -- Diaspora discourses : Akan spiritual praxis and the claims of cultural idenitity
Wintersteen,Benjamin (Author) and Browne,Katherine E. (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
Lewiston, NY: Edwin Mellen Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
136 p., Examines the religious, mythological and performance elements of the Afro-Caribbean street festival. Using the theories of performance, political economy and symbolic analysis, this work shows how elements of African, European and South American cultures interact to produce a unique understanding of the colonial and post-colonial experience.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
409 p., Contents: 1. pt. La comunidad afroporteña -- 2. pt. Disciplinamiento y mundo popular --
3. pt. Una comunidad en conflicto (tirando de las hilachas del folleto de Rolón).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p, In Blackness in the White Nation, George Reid Andrews offers a comprehensive history of Afro-Uruguayans from the colonial period to the present. Showing how social and political mobilization is intertwined with candombe, he traces the development of Afro-Uruguayan racial discourse and argues that candombe's evolution as a central part of the nation's culture has not fundamentally helped the cause of racial equality. Incorporating lively descriptions of his own experiences as a member of a candombe drumming and performance group, Andrews consistently connects the struggles of Afro-Uruguayans to the broader issues of race, culture, gender, and politics throughout Latin America and the African diaspora generally.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: London : Latin American Bureau, 2006., 205 p., Relates the story of Grupo Cultural AfroReggae, an organization based in Rio de Janeiro, Brazil, that employs music and an appreciation for black culture to inspire residents of shantytowns to resist the drugs that are ruining their neighborhoods.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
282 p., Prior tO 1640, When the Regular Slave Trade to New Spain ended, colonial Mexico was the second largest importer of slaves in the Americas. Even so, slavery never supplanted indigenous labor in the colony, and by the second half of the 17th century there were more free Afromexicans than slaves in Mexico.
Quito, Ecuador: Abya-Yala : Agence canadienne de développement international
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
436 p., Cómo han construido y construyen sus identidades étnicas y de género las mujeres y hombres negros del norte de Esmeraldas?, es la pregunta central de investigación que se plantea la autora. Sobre la base de un enfoque integrado de varias corrientes críticas del pensamiento social y combinando la investigación bibliográfica y el trabajo de campo en dos comunidades representativas, la autora resuelve la pregunta planteada inicialmente.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
270 p., Cuba's geographic proximity to the United States and its centrality to US imperial designs following the War of 1898 led to the creation of a unique relationship between Afro-descended populations in the two countries. Drawing on archival sources in both countries, the author traces four encounters between Afro-Cubans and African Americans.
