African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p., Chronicling the period from the abolition of slavery in 1888 to the start of Brazil's military regime in 1964, Romo uncovers how the state's nonwhite majority moved from being a source of embarrassment to being a critical component of Bahia's identity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Original edition translated from Portuguese by Elena Langdon., 266 p., An examination of the meanings of blackness in the Brazilian state of Bahia, which is often called the most African part of Brazil.
Klein,Herbert S. (Author) and Luna,Francisco Vidal (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
New York: Cambridge University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p., Although Brazilians have incorporated many of the North American debates about slavery, they have also developed a new set of questions about slave holding: the nature of marriage, family, religion, and culture among the slaves and free colored; the process of manumission; and the rise of the free colored class during slavery. It is the aim of this book to introduce the reader to this latest research, both to elucidate the Brazilian experience and to provide a basis for comparisons with all other American slave systems.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p., Looks primarily at Negrismo and Negritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
772 p., George Gershwin introduced Afro Cuban Music in America in 1926. Xavier Cugat during the 1930's introduced The Rumba dance. Three great innovations based on Cuban music hit the USA after World War II: the first was Cubop, the latest Latin jazz fusion. The rumbustious conguero Chano Pozo was also important, for he introduced jazz musicians to basic Cuban rhythms. Cuban jazz has continued to be a significant influence. The mambo first entered the United States around 1950, though ideas had been developing in Cuba and Mexico City for some time.
