African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Canadian Foundation for the Americas (FOCAL) is an independent, non-partisan think-tank dedicated to strengthening Canadian relations with Latin America and the Caribbean through policy dialogue and analysis. It seeks to create new partnerships and policy options throughout the Western Hemisphere through its promotion of good governance, economic prosperity and social justice.
Chapel Hill, NC: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
326 p., Shows how gender shaped urban routes to freedom for the enslaved during the process of gradual emancipation in Cuba and Brazil, which occurred only after the rest of Latin America had abolished slavery and even after the American Civil War. Focusing on late nineteenth-century Havana and Rio de Janeiro, Cowling argues that enslaved women played a dominant role in carving out freedom for themselves and their children through the courts.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Institute for Ibero-American Studies aims to observe and scientifically analyze political, economic, and social development processes in the countries of Latin America and the Caribbean. Academically and legally independent research establishment connected with the German Overseas Institute (Deutsches Übersee-Institut, DÜI), which is funded by the German federal government and the city-state of Hamburg. Links to online newspapers and magazines in Latin America (annotations in German), to institutes researching Latin America, and to other resources; projects descriptions, newsletter, and several papers online.
429 p., Founded in 1969 in Lima, Perú Negro is now the most widely recognized Afro-Peruvian dance and music company. In order to emphasize the black presence in a nation that has dominantly narrated itself as mestizo, Perú Negro has produced representations of blackness that are grounded both on the history of slavery and on Diasporic idealizations of Africanness. While meant to value blackness through its music and dance performance, Perú Negro’s representations have contributed to romanticize the slave past and essentialize the African roots. This is made clear in the group’s concept of “family” upon which Perú Negro has relied to define who can and cannot belong to the group as well as who is capable of performing blackness.
