Miami, FL: Florida International University, Cuban Research Institute
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Cuban Research Institute (CRI) at Florida International University (FIU) is dedicated to creating and disseminating knowledge about Cuba and Cuban Americans. The institute encourages original research and interdisciplinary teaching, organizes extracurricular activities, collaborates with other academic units working in Cuban and Cuban-American studies, and promotes the development of library holdings and collections on Cuba and its diaspora. Founded in 1991, CRI is a freestanding entity within FIU's Steven J. Green School of International and Public Affairs and works closely with its prestigious Kimberly Green Latin American and Caribbean Center.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Part of Tulane University's Stone Center for Latin American Studies responsible for the organization of lectures, performances, courses, symposia, etc.; aimed at promoting an academic and cultural exchange between Cuba and the US.
Reviews the essays El Amor, El Sexo Y Los Celos, by Alberto Orlandini, Before Night Falls A Memoir, by Reinaldo Arenas, El Caiman Ante El Espejo: Un Ensayo De Interpretación De Lo Cubano, by Uva de Aragon Clavijo, Cuba Sin Caudillos: Un Enfoque Feminista Para El Siglo XXI, by Illeana Fuentes, La Mujer Rural Y Urbana: Estudios De Casos, by Mariana Ravnet et al.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally released in 1990 as a motion picture. Based on the theatrical work: Maria Antonia by Eugenio Hernandez Espinosa., 1 videodisc (100 min.), A story of love, passion, resentment, and revenge set in pre-revolutionary working-class Cuba. Maria Antonio, in a role based on Oshun, the love goddess in the religion of the African Yoruba people, is driven to a crime of passion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
