Whitten,Norman E., Jr. (Editor) and Torres,Arlene (Editor)
Format:
Book, Edited
Publication Date:
unknown
Published:
Bloomington.: Indiana University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols., If we are to understand the meanings of "blackness" in the African diaspora and elsewhere, we must critically examine the paradigms that have emerged over the past five centuries out of Euro-American racism and black liberation. So argue the editors of these seminal volumes that add immeasurably to our understanding of black experiences in Central America, South America, and the Caribbean while establishing new research directions.
Chapel Hill, NC: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
326 p., Shows how gender shaped urban routes to freedom for the enslaved during the process of gradual emancipation in Cuba and Brazil, which occurred only after the rest of Latin America had abolished slavery and even after the American Civil War. Focusing on late nineteenth-century Havana and Rio de Janeiro, Cowling argues that enslaved women played a dominant role in carving out freedom for themselves and their children through the courts.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally released in 1990 as a motion picture. Based on the theatrical work: Maria Antonia by Eugenio Hernandez Espinosa., 1 videodisc (100 min.), A story of love, passion, resentment, and revenge set in pre-revolutionary working-class Cuba. Maria Antonio, in a role based on Oshun, the love goddess in the religion of the African Yoruba people, is driven to a crime of passion.
429 p., Founded in 1969 in Lima, Perú Negro is now the most widely recognized Afro-Peruvian dance and music company. In order to emphasize the black presence in a nation that has dominantly narrated itself as mestizo, Perú Negro has produced representations of blackness that are grounded both on the history of slavery and on Diasporic idealizations of Africanness. While meant to value blackness through its music and dance performance, Perú Negro’s representations have contributed to romanticize the slave past and essentialize the African roots. This is made clear in the group’s concept of “family” upon which Perú Negro has relied to define who can and cannot belong to the group as well as who is capable of performing blackness.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 videocassette (ca. 20 min.), Employing footage shot between December 5 and 9, 2003, this documentary looks at the history, life, traditions, and celebrations of the black population of the municipalities of Baião and Mocajuba, located in the Brazilian state of Pará.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
