African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
150 p., Contents: Postcolonial Caribbean women's fiction : a revisionist discourse
Caribbean women's literature in the post independence era Beka Lamb : a look at "befo' time Crick crack, monkey : "when monkey caan see'e own tail" Angel : "light the way for us!" Traversing thresholds.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
951 p., Story of an elderly African, blind and dying, traveling from Africa to Brazil in search of the lost son for decades. Along the journey, she will tell her life, marked by killings, rape, violence and slavery. Set in an important historical context in the formation of the Brazilian people and narrated in a way in which the historical facts are immersed in daily life and in the lives of the characters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
951 p., A story of an African elderly who is blind, and on the verge of death, travels to from African to Brazil in a hunt for the lost child for decades.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
210 p., Contents: Carlos Arturo Truque: Colombia a corazón abierto / Sonia Nadezhda Truque -- La vocación y el medio: historia de un escritor / Carlos Arturo Truque -- Vivan los compañeros -- Granizada -- La noche de San Silvestre -- Sangre en el llano -- El día que terminó el verano -- Sonatina para dos tambores -- La fuga -- La diana -- El encuentro -- Fucú -- El misterio -- Martín encuentra dos razones -- Dos hombres -- Porque así era la gente -- La aventura de tío conejo -- La muerte tuvo cara y sello -- José dolores arregla un asunto -- Lo triste de vivir así -- El collar -- Las gafas oscuras -- De cómo Jim empezó a olvidar -- Puntales para mi casa -- La otra oportunidad -- El pigüita -- Longinos.
Boisseron,Bénédicte (Editor) and Ekotto,Frieda (Editor)
Format:
Book, Edited
Language:
French
Publication Date:
2011
Published:
Pessac: Presses universitaires de Bordeaux
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
151 p., Includes "Parcours d'un corps" / Raphaël Confiant (Martinique); "Sa Légèreté Libellule" / Jean Bernabé (Martinique); "Les derniers jours d'une mulâtresse" / Patrick Chamoiseau (Martinique); "Wayang Kulit" / Maryse Condé (Guadeloupe); "Chocolater son petit corps" / Suzanne Dracius (Martinique); "La Femme-Fleuve" / Ernest Pépin (Guadeloupe); "Une chouette dans un Port-au-Prince sans électricité" / Dany Laferrière (Haïti/Canada); and "L'ex-île" / Daniel Maximin (Guadeloupe).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
216 p., Discusses the literary representations of Afro-descendants in mid- to late-19th century Cuba and Brazil, and how these representations impacted the development of the national narratives and mapped out the future social terrain for blacks and whites in both countries.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., In the late 20th century, Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism. The author devotes a chapter to each author. Organizing, formally on the page and thematically in the story, heals the fractured single and communal bodies in Bambara's 1980 novel The Salt Eaters. On the islands of Tatem and Carriacou, Marshall's Avey Johnson dances a cultural nation dependent on diasporic connections in Praisesong for the Widow (1983). Naylor's Willow Springs proves fertile island ground in Mama Day (1988) for women's work to map nation, unearth an archive, and mother the next generation. Shange's recipe-laden novel Sassafrass, Cypress & Indigo (1982) and later cookbook if I can Cook/you Know God can (1998) posit cooking as theory and practice of community. In Morrison's Paradise (1997), women write and paint records of their individual and collective histories. This group of writers uses Africa, the Sea Islands, the Caribbean, the American South, the kitchen, the dance floor, and the garden as spaces that help define a distinctly African American collectivity practiced in highly local, concrete work for fashioning self and community. In these practices, cultural nationalism comes to rely not on the imagined and far away, but on the lived and local.
