African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
18.3 Linear Feet
Notes:
"The bulk of the papers are organizational materials relating to Allen's involvement in the YMCA, the NAACP, and as a District School Community Coordinator for the Board of Education for New York. The main strength of the collection is the celebration of African American cultural identity through the education of both children and adults alike." (Amistad Rsearch Center) Series 2: Recreational Materials, 1923-1973 includes Box 15, Folder 6 includes Travel: Caribbean and Mexico [Brochures, correspondence, travel guides, receipts]; Series 3: Writings by James Egert Allen, 1925-1965 includes Box 17, Folder 17: Black History, Past and Present: Blacks and the Caribbean; Tappian Brother; and Series 5: Collected Publications, Printed Ephemera and Clippings, 1925-1973 includes Box 33, Folder 25: Periodicals: Caribbean League of America, 1957
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
149 p., Examines Marshall's use of the trope of travel within and between the United States and the Caribbean to critique ideologies of development, tourism, and globalization as neo-imperial. This examination of travel in Marshall's To Da-Duh, In Memoriam; The Chosen Place, The Timeless People; Praisesong for the Widow; and Daughters exposes the asymmetrical structures of power that exist between the two regions.
This article explores Japanese literary engagement with the Caribbean island of Jamaica, one informed most directly by the recent popularity of Jamaican musical culture in Japan. I link these works to a discursive imagination of the international, including the Third World, as a proving ground for artistic accomplishment and for the acquisition of an ideological cosmopolitanism counterposed against life in insular Japan. This includes the discourse of jibun sagashi, or self-searching, that has emerged in the post-1991 recessionary era. I argue that a consistent trope in many works of fiction and non-fiction on Japanese travel to Jamaica is of their protagonists' or authors' intimate encounter with Afro-Jamaican blackness as both menacing and impoverished, but also vitalizing and endearing. Encountering the Afro-Jamaican, and surviving it, simultaneously affords a sense of toughness and sociopolitical enlightenment impossible elsewhere in Japan. I conclude that although these narratives usually include returns to a Japanese homeland appreciated anew, an ethnographic perspective on these issues - though not the focus of the paper - suggests that the experiences of less famous Japanese youth travelling to Jamaica might complicate these narratives offered to mainstream audiences. [ABSTRACT FROM AUTHOR].
The African diaspora's search for both a collective voice and a freedom of identity has led many writers to be liberated only at the expense of being marketed and made part of the publishing machine. Forbes compares this marketplace to the "trading post," referring to the contact points where African slaves were bought and sold. Searching for new targets, many times the African diaspora's voice is cut by sales driven marketing. In illustrating his points, Forbes focuses on five travel narratives in this essay, including books by such authors Mary Seacole, Marlene Nourbese Philip, Jamaica Kincaid, Terry McMillan, and John Edgar Wideman.;
