101 p., Little published research describes views of intimate heterosexual relationships among non-Western samples of women. This study represents a first attempt to document Afro-Caribbean women's views about their intimate relationships. A small sample of 53 Afro-Caribbean women from the island of Barbados were interviewed in their homes for a larger study of body image. Included in the measures were questionnaires about the extent to which women's expectations were or were not met in their current heterosexual relationships and if symptoms of depression were experienced. The women in this study generally reported, like Western women, that their relationships met their expectations (whatever those expectations may have been), that they contributed more positive than negative behaviors to the relationship, and that they experienced mostly mild or infrequent depressive symptoms. Unlike findings for Western samples, however, neither relationship duration, women's level of education, nor the extent to which they reported depressive symptoms covaried with whether they reported that their expectations were met or not. In summary, this study did not shed light on possible sources of Afro-Caribbean women's relationship satisfaction, although it potentially ruled out a few.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 microfiche, A hitherto lost collection of dialect poetry, offering today's reader an unusual perspective on bygone Barbados. Re-assembled, restored and republished by her grandson Martin E. Hughes in 2006, seventy five years after they were first published in Barbados.;
"Was talking about how we keep our creativity flowing with a group of friends around a kitchen table last winter. Visiting friends from Sri Lanka mentioned that they organise regular readings to encourage themselves to write fresh work and connect with likeminded types. Very ol' skool approach. WRITE ON! was born that nite," says Akhaji Zakiya, the founder, producer and host of the series. "We'll also have an open mic part of the showcase and a panel discussion exploring how we can support Black queer art and culture. We've also commissioned a special spoken word piece, #IAmAnAfrican, by co-host Naomi Abiola to celebrate our achievements," she said. The other cohost of the evening is triple threat Twysted. With a repertoire that is expanding to include short stories and plays about women loving, [Zakiya]'s work has appeared in several publications, including "The Great Black North - Contemporary African Canadian Poetry" (Frontenac, 2013) and "Does Your Mama Know? - An Anthology of Black Lesbian Coming Out Stories" (Red Bone Press, 1997).
190 p., Reviews legislation and government policy related to combating human trafficking in eight Caribbean countries: The Bahamas, Barbados, Guyana, Jamaica, the Netherlands Antilles, St Lucia, Suriname and Trinidad and Tobago.NBThis review has assessed the applicability of existing statute law for the prosecution of human traffickers, the protection of trafficking victims and the prevention of trafficking activities. This includes criminal provisions that constitute one or more elements of the trafficking process such as procurement, forced detention, prostitution, sexual offences, kidnapping, abduction and other offences against the person. These elements can then be used in combination as a "patchwork" replacement for a trafficking law.
Francis Humberston Mackenzie of Seaforth (1754-1815) was a Highland proprietor in what has become known as 'The First Phase of Clearance', was governor of Barbados (1801-6) in the sensitive period immediately before the abolition of the British slave trade and was himself a plantation owner in Berbice (Guiana). It is suggested that his concern for his Highland small tenants was paralleled by his ambition in Barbados to make the killing of a slave by a white a capital offence, by his attempts to give free coloureds the right to testify against whites and by his aim to provide good conditions for his own enslaved labourers in Berbice.
Examines death and barrenness images prevalent in literature produced by black women during the 1970s and 1980s, taking for study the novels Bluest Eye (1970), Praisesong for the Widow (1983), Corregidora (1975), and Mama Day (1988). Argues that images in these narratives represent contemporary manifestations of social death that directly relate to what belief in the American dream, and that these images symbolize the ways in which decisions made had a deadening effect on black communities, primarily experienced as a loss of social sensibility and vitality of relationships.
