395 p., Inspired by the study of Western historiography and the processes by which silence enters into history in Michel-Rolph Trouillot's seminal work, Silencing the Past: Power and the Production of History, this dissertation demonstrates that fiction can be used both for silencing the past and for rewriting it. This study focuses on seven novels, one short story and two plays published between 1798 to 2007: Adonis ou le Bon Nègre by Jean-Baptiste Picquenard, L'Habitation de Saint-Domingue ou L'Insurrection by Charles de Rémusat, Benito Cereno by Herman Melville, Les Nuits chaudes du Cap-Français by Hugues Rebell, Drums at Dusk by Arna Bontemps, Le Royaume de ce monde (El reino de este mundo ) by Alejo Carpentier, Monsieur Toussaint by Edouard Glissant, and the trilogy of the historical novel (Le SouleÌvement des âmes, Le Maître des carrefours, La Pierre du bâtisseur ) by Madison Smartt Bell.
Behn,Aphra (Author), Gallagher,Catherine (Editor), and Stern,Simon (Contributor)
Format:
Book, Whole
Publication Date:
2013
Published:
Lexington, KY: Simon & BrownI
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
77 p., A short novel written by English female author Aphra Behn, published in 1688. It is the story of an African prince who deeply loves the beautiful Imoinda. Imoinda is eventually sold as a slave and is taken to Suriname which is under British rule. Oroonoko is taken prisoner, is sold, and finds himself and Imoinda enslaved on the same plantation. Contents: 1. To the right honourable the Lord Maitland. 2. The history of the royal slave.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
182 p., About an ugly divorce in which the main characters bear a striking resemblance to Ms. Kincaid and to her former husband, Allen Shawn. Ms. Kincaid has denied that the book is strongly autobiographical. In this novel, a marriage is revealed in all its joys and agonies. A mother, a father, and their two children, living in a small village in New England move, in their own minds, between the present, the past, and the future, constrained by the world, the characters despairing in their domestic situations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
104 p., She Sex could rightly be regarded as a trailblazing, transformative work, concerned with showcasing the innermost erotic stories of Caribbean Women.
Schwarz-Bart,Simone (Author) and Bray,Barbara (Translator)
Format:
Book, Whole
Publication Date:
2013
Published:
New York: New York Review Books
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of Pluie et vent sur Télumée Miracle (Paris, Éditions du Seuil, 1972)., 246 p, A tale of love and wonder, mothers and daughters, spiritual values and the grim legacy of slavery on the French Antillean island of Guadeloupe. Here long-suffering Telumee tells her life story and tells us about the proud line of Lougandor women she continues to draw strength from. Simone Schwarz-Bart's incantatory prose, interwoven with Creole proverbs and lore, appears here in a remarkable translation by Barbara Bray.
