96 p., Recent research indicates that among the different ethnic groups in the United States, African Americans report the highest level of self-esteem (Twenge & Crocker, 2002). However, the literature offers a monolithic categorization of African Americans. Black individuals from countries where Blacks are the majority are socialized to think differently about matters of race compared with the thinking of African Americans. Likewise, membership in the minority group will have different implications for Black Caribbeans. The current study examined the effects of racial socialization and resilience on the self-esteem of two groups of Black girls: African Americans and Black Caribbeans. Because of the theorized difference in racial socialization, it was hypothesized that the two groups would differ in their levels of self-esteem and that resilience would moderate the relationship between racial socialization and self-esteem. Participants consisted of 25 African American and 26 Black Caribbean high school students.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p, In Blackness in the White Nation, George Reid Andrews offers a comprehensive history of Afro-Uruguayans from the colonial period to the present. Showing how social and political mobilization is intertwined with candombe, he traces the development of Afro-Uruguayan racial discourse and argues that candombe's evolution as a central part of the nation's culture has not fundamentally helped the cause of racial equality. Incorporating lively descriptions of his own experiences as a member of a candombe drumming and performance group, Andrews consistently connects the struggles of Afro-Uruguayans to the broader issues of race, culture, gender, and politics throughout Latin America and the African diaspora generally.
220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p., Chronicling the period from the abolition of slavery in 1888 to the start of Brazil's military regime in 1964, Romo uncovers how the state's nonwhite majority moved from being a source of embarrassment to being a critical component of Bahia's identity.
Reiter,Bernd (Editor) and Mitchell,Gladys L. (Editor)
Format:
Book, Edited
Publication Date:
2010
Published:
Boulder, CO: Lynne Rienner Publishers
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Tackles issues ranging from white privilege to black power, from government policy to popular advocacy, and from historical injustices to recent victories. Includes Gladys L. Mitchell's "Politicizing blackness : Afro-Brazilian color identification and candidate preference," Angela Figueiredo's "Out of place : the experience of the black middle class," Mónica Treviño González's "Opportunities and challenges for the Afro-Brazilian movement," Keisha-Khan Y. Perry's "Racialized history and urban politics : black women's wisdom in grassroots struggles," Sales Augusto dos Santos' "Black NGOs and 'conscious' rap : new agents of the antiracism struggle in Brazil," Fernando Conceição's "Power and black organizing in Brazil," and Renato Emerson dos Santos' "New social activism : university entry courses for black and poor students."
Explanations of the Abolitionist movement's success in Brazil (1888) have, since the 1960s and 1970s, emphasized the movement's material context, its class nature, and the agency of the captives. These analyzzes have misunderstood and gradually ignored the movement's formal political history. Even the central role of urban political mobilisation is generally neglected; when it is addressed, it is crippled by lack of informed analysis of its articulation with formal politics and political history. It is time to recover the relationship between Afro-Brazilian agency and the politics of the elite. In this article this is illustrated by analysing two conjunctures critical to the Abolitionist movement: the rise and fall of the reformist Dantas cabinet in 1884-85, and the relationship between the reactionary Cotegipe cabinet (1885-88), the radicalisation of the movement, and the desperate reformism that led to the Golden Law of 13 May 1888.
In Message from the Grassroots, perhaps his most powerful speech, Malcolm X reminded us that "you don't catch hell because you're a Methodist or Baptist, you don't catch hell because you're a Democrat or a Republican, you don't catch hell because you're a Mason or an Elk... You catch hell because you're a black man.... All of us catch hell for the same reason." Malcolm could just as easily have said that we don't catch hell because we're Haitian or African American. A white supremacist system sees us as Black people. Abner Louima was not tortured because he was Haitian, nor was Amadou Diallo gunned down by the police because he was from Guinea. The offending officers saw no difference. In their eyes they were inferior, scorned Black men. Malcolm saw Black unity/ solidarity as the counter and corrective of racism and white supremacy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
48 p., Examines black history from 1968 until 2008, discussing race relations around the world, apartheid in South Africa, genocide in Rwanda, the assassination of Martin Luther King, affirmative action programs, Hurricane Katrina, artists and important figures of the twentieth and twenty-first centuries. Includes sections on "Black and British" and "Caribbean independence."
223 p., Argues that certain iconic poems have shaped the canon of American poetry. Not merely "canonical" in the usual sense, iconic poems enjoy a special cultural sanction and influence; they have become discourses themselves, generating our notions about American poetry. By "iconic" the author means extraordinarily famous works like Henry Wadsworth Longfellow's "Paul Revere's Ride," Walt Whitman's "Song of Myself," and Claude McKay's "If We Must Die," that do not merely reside in the national memory but that have determined each poet's reception and thus have shaped the history of American poetry.
