African American Research Center, Library, University of Illinois at Urbana-Champaign
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375 p, O núcleo central da tese é uma reflexão sobre aquilo que na literatura antropológica especializada tem-se convencionado chamar de branqueamento. Em oposição às interpretações correntes segundo as quais a "ideologia do branqueamento" teriasurgido, no Brasil no final do século XIX, como uma espécie de derivação ou readaptação das "teorias raciais ortodoxas", argumenta-se que o "ideário do branqueamento" estava presente nos fundamentos da sociedade colonial brasileira. Paracomprovar isso, tornou-se necessária uma "reconstrução histórica" do conceito de negro. Esse percurso mostra que a idéia do branqueamento passou, ao longo dos séculos, por diversas reformulações devidas às lentas mudanças na concepção de mundo ea contextos sociais e históricos específicos. Foi-se ajustando aos valores supremos de cada época, de concepções religioso-morais, biológico-"progressistas" a um ideário culturalista. A tese defende também a idéia de que a persistência da"ideologia do branqueamento" está vinculada, em primeiro lugar, às características específicas das relações de poder no Brasil. A resistência característica das estruturas patrimoniais à formalização de direitos e deveres individuais e de idéiascomo igualdade e diferença manifesta uma postura sociopolítica que tende a se opor a qualquer tentativa de burocratizar processos de inclusão e exclusão. Foi apenas nos anos 50 do século XX que a idéia de transformação de negro em bra. (Continuação) desmoronamento do sistema escravista, isto é, com a abolição. O último capítulo consiste num estudo de caso no qual se procura aplicar as reflexões teóricas elaboradas ao longo desta tese: "opõem-se" dois "pólos típico-ideais" da"representação negra"--O candomblé e o movimento negro - com o objetivo de analisar as divergências e convergências entre essas duas posições sociopolíticas diante do mundo; Thesis/dissertation
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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241 p., Expanding on Audre Lorde's vision of embodied, even "useful," desire, Jafari S. Allen shows how black Cubans engage in acts of "erotic self-making," reinterpreting, transgressing, and potentially transforming racialized and sexualized interpellations of their identities. He illuminates intimate spaces of autonomy created by people whose multiply subaltern identities have rendered them illegible to state functionaries, and to most scholars. In everyday practices in Havana and Santiago de Cuba--including Santeria rituals, gay men's parties, hip hop concerts, the tourist-oriented sex trade, lesbian organizing, HIV education, and just hanging out--Allen highlights small but significant acts of struggle for autonomy and dignity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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311 p, Product Description This book examines the role of the Vichy regime in bringing about profound changes in the French colonial empire after World War II. In the war’s aftermath, the French colonial system began to break down. Indochina erupted into war in 1945 and Madagascar in 1947, while Guadeloupe chose an opposite course, becoming territorially part of France in 1946. The book traces the introduction of an integralist ideology of “National Revolution” to the French colonial realm, shedding new light on the nature of the Vichy regime, on the diversity of French colonialism, and on the beginnings of decolonization. Encompassing three very different regions and cultures, the study reveals both a unity in Vichy’s self-reproduction overseas and a diversity of forms which this ideological cloning assumed. World War II is often presented as an agent of change in the French colonial empire only insofar as it engendered a loss of prestige for France as colonizer. The author argues that Marshal Philippe Pétain’s Vichy regime contributed to decolonization in a much more substantial way, by ushering in an ideology based on a new, harsher brand of colonialism that both directly and indirectly fueled indigenous nationalism. The author also rejects the popular notion that Nazi pressure lurked behind the Vichy government’s colonial actions, and that the regime lacked any real agency in colonial affairs. He shows that, far from allowing the Germans to run French colonies from behind the scenes, Vichy leaders vigorously promoted their own undiluted form of ultra-conservative ideology throughout the French empire. They delivered to the colonies an authoritarianism that not only elicited fierce opposition but sowed the seeds of nationalist resurgence among indigenous cultures. Ironically, the regime awoke long-dormant nationalist sentiments by introducing to the empire Pétain’s cherished themes of authenticity, tradition, folklore, and völkism. (Amazon) ;
African American Research Center, Library, University of Illinois at Urbana-Champaign
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208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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210 p., Contents: Carlos Arturo Truque: Colombia a corazón abierto / Sonia Nadezhda Truque -- La vocación y el medio: historia de un escritor / Carlos Arturo Truque -- Vivan los compañeros -- Granizada -- La noche de San Silvestre -- Sangre en el llano -- El día que terminó el verano -- Sonatina para dos tambores -- La fuga -- La diana -- El encuentro -- Fucú -- El misterio -- Martín encuentra dos razones -- Dos hombres -- Porque así era la gente -- La aventura de tío conejo -- La muerte tuvo cara y sello -- José dolores arregla un asunto -- Lo triste de vivir así -- El collar -- Las gafas oscuras -- De cómo Jim empezó a olvidar -- Puntales para mi casa -- La otra oportunidad -- El pigüita -- Longinos.