Marable,Manning (Author) and Agard-Jones,Vanessa (Author)
Format:
Book, Whole
Publication Date:
2008
Published:
New York, NY: Palgrave Macmillan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
366 p, Includes Brian Meeks's "Reinventing the Jamaican political system"; Joseph Jordan's "Afro-Colombia: a case for pan-African analysis"; Ricardo Rene Laremont and Lisa Yun's "Mutual inspiration: radicals in transnational space: The Havana AfroCubano movement and the Harlem Renaissance: the role of the intellectual in the formation of racial and national identity"; and Asale Angel-Ajani's "Out of chaos: Afro-Colombian peace communities and the realities of war";
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p., Expanding on Audre Lorde's vision of embodied, even "useful," desire, Jafari S. Allen shows how black Cubans engage in acts of "erotic self-making," reinterpreting, transgressing, and potentially transforming racialized and sexualized interpellations of their identities. He illuminates intimate spaces of autonomy created by people whose multiply subaltern identities have rendered them illegible to state functionaries, and to most scholars. In everyday practices in Havana and Santiago de Cuba--including Santeria rituals, gay men's parties, hip hop concerts, the tourist-oriented sex trade, lesbian organizing, HIV education, and just hanging out--Allen highlights small but significant acts of struggle for autonomy and dignity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p, Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
399 p, Focusing on developments in Afro-Cuban religious culture, demonstrates that traditional Caribbean cultural practices are part and parcel of the same history that produced modernity and that both represent complexly interrelated hybrid formations. Palmié argues that the standard narrative trajectory from tradition to modernity, and from passion to reason, is a violation of the synergistic processes through which historically specific, moral communities develop the cultural forms that integrate them.
Espín Guillois,Vilma (Author), Santos Tamayo,Asela de los (Author), and Ferrer,Yolanda (Author)
Format:
Book, Whole
Publication Date:
2012-01-01
Published:
New York: Pathfinder
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p., A collection of four interviews by different journalists with Vilma Espín, Asela de los Santos and Yolanda Ferrer from 1975-2008. Founded by Fidel Castro and directed by Vilma Espín, the Federation of Cuban Women sought to mobilize women following the 1959 Cuban Revolution. Called the "revolution within the revolution," the Cuban women's movement sent women into new regions of the country to teach the illiterate and nurse the ill.
