Dawn Harris (camp director, stage director, and voice instructor), Sarah Johnson (director), Michael Tilley (pianist), Camri Anderson (performer), Grace Brown (performer), Grace Galman (performer), Taylor Mondragon (performer), and Brea Rollston (performer)
In reviewing Jorge Franco's new book, Abani states that "Jorge Franco is a founding member of the self-anointed McOndo School of writers from South and Central America, who opt for harder, grittier urban reality than their magical realist forebears, such as Jorge Amado and Gabriel García Marquez. (The name McOndo itself is a play on Macondo, García Márquez's own Yoknapatawpha County.) But even thought the Characters in Franco's books fly in airplanes rather than through the air by magic, the social placements of these literary movements remain close."
San José, Costa Rica : Editorial de la Universidad de Costa Rica
Location:
Library, University of Illinois
Notes:
This book talks about love and betrayal within Latin American literature and film. The book has a section entitled "García Márquez en el cine: la primera pasión." The book includes a list of GGM books that have been adapted into film (347), as well as copies of the film poster for "Crónica de una muerte anunciada" (1986).
Secondary source, Reviews of Books About Gabriel García Márquez
Publication Date:
Nov 2002
Published:
Chile : Pontificia Universidad Catolica de Chile, Instituto de Letras
Location:
Library, University of Illinois
Related Item Details:
31 : p. 177-180
Notes:
Chaverri reviews María Lourdes Cortés' book Amor y tración: cine y literatura en América, in which Cortés analyzes issues related to the translation of literature to film, focusing in particular on the works of five Latin American writers who are considered part of the "Boom." She includes among them Gabriel García Márquez's Crónica de una muerte anunciada.
Secondary source, Reviews of Gabriel García Márquez's Books and Stories
Publication Date:
November 27, 2005
Published:
Washington, DC : News World Communications
Location:
Library, University of Illinois
Related Item Details:
Books; On Books; B06
Notes:
In this critique and review of the book Carol Herman states, "Readers had every reason to hope that Nobel laureate Gabriel García Márquez's latest novel, "Memories of My Melancholy Whores," his first work of fiction in 10 years, would be something to behold. But there is a wrinkle, and it rests in the limitations of the book's own central and disturbing act of "beholding.""
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
May 15, 2004
Published:
London, UK : The Times
Location:
Library, University of Illinois
Related Item Details:
41 Features Theatre The Knowledge
Notes:
"Acclaimed Indian Theatre Collective Dehli present the magical-realist tragedy Erendira, adapted from the writing of Gabriel García Márquez, at the ICA."
"Interviews novelist Mario Vargas Llosa of Peru. Views on the goal of businessman Bill Gates to make books obsolete; Status of short stories in the 21st century; Effect of film on literature; Discussion on successful authors who have problems with technical writing." Discusses issues with Latin American writers.
"An unprecedented movie deal with Nobel Prize-winner Gabriel García Márquez was signed with Scott Steindorff's Stone Village Productions after the producer had spent two years pursuing the reluctant author. The deal is for Love in the Time of Cholera and was signed with Carmen Balcells and Nuria Coloma at Balcells's Barcelona agency for over $1 million, with close to twice as much added if a movie goes into production."
Secondary source, Reviews of Gabriel García Márquez's Books and Stories
Publication Date:
October 30, 2005
Published:
Cleveland, OH : Plain Dealer Publishing
Location:
Library, University of Illinois
Related Item Details:
Books; H5
Notes:
In this review of Memories of My Melancholy Whores, Felipe Nieves discusses the novel and also critiques Edith Grossman's translation of the text from Spanish to English.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
June, 2003
Published:
Cali, Colombia : Universidad del Valle
Location:
Library, University of Illinois
Related Item Details:
(19) : 127-142
Notes:
"The Violence (1946-1965) was the first arena of generalized violence in Colombia this century. This phenomenon left the terrifying memory of its more than two hundred thousand deaths, together with a country ruined politically and morally. The writers (novels and consecrates) left evidence of this in an enormous body of work that has been, in large part, negatively sanctioned and, in general, poorly researched. To construct a dispassionate critical judgment and a rigorous study of this literature it is necessary, in principal, to outline some criteria that will permit a clear delineation of the corpus of novels that integrate it."||To sustain his argument, Osorio brings up García Márquez's statement, "La literatura colombiana, un fraude a la nación" where he states that since colonial times, the Colombian literature has had at most three or four literary writers and has been encumbered with false prestige. Furthermore, he states that during the 50s no literary tradition or national literature existed; however, since the 50s there has been a surge in literary novels about the violence, among them, García Márquez's, Mejía Vallejo's, and Álvarez Gardeazábal's.
This work discusses the significance of two representations of Colombia's political culture: elections and war. Briefly mentions a statement on Gabriel García Márquez's social views.
Rafael Cartay writes about the contribution of immigrants in shaping the Venezuelan diet in the twentieth century. In the later part of the study, the author writes about refrigeration in the early nineteenth century, where he comments on García Márquez's "Cien Años de Soledad."
Diana Palaversich analyzes the work of Mario Bellatin. In the article, she compares the mystical world of Bellatin to the works of other writers, including Gabriel García Márquez.