[Alberto Figueiredo Machado], who is on a working visit to Jamaica, told The Gleaner ahead of Thursday's signing of three other agreements, that Jamaica's tourist product also stands to benefit significantly from the pending non-visa arrangement. He said that Brazil was one of the first countries to have recognised Jamaica's attainment of Independence in 1962, with his compatriots remaining great admirers of Jamaica's athletes and musicians, among other things. Jamaica's Foreign Affairs and îbreign Trade Minister A. J. Nicholson said attention was paid to the greater role of cooperation in the field of energy, with particular emphasis on the role of biofuels as a key instrument of sustainable development, as well as the strengthening of and support to Jamaica's Sickle Cell Programme.
[two photocopy pages with annotation]
Box 33 Folders 22 and 23 labelled: Christopher Silver Files. Silver was faculty in Urban and Regional Planning at UIUC.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Explores how Quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community’s struggle to prove its historical authenticity—and to gain the land and rights they need to survive.
Blacks; Women; Brazil; South America; Book reviews; PERRY, Keisha-Kkan Y; BLACK Women Against the Land Grab: The Fight for Racial Justice in Brazil (Book)
Analyzes current urban governance policies and the spatial politics of resistance embraced by communities under siege in Brazil. Space matters not only in terms of defining one's access to the polis, but also as a deadly tool through which police killings, economic marginalization, and mass incarceration produce the very geographies (here referred to as 'the black necropolis') that the state aims to counteract in its war against the black urban poor.
Combines ethnomusicology and symbolic boundary theory to explain musical boundary-work: the creation, interpretation, and use of music to reinforce, bridge, or reshape symbolic boundaries for social, political, spiritual, or other purposes. The multi-faith and multi-ethnic Afrogaucho religious community of metropolitan Porto Alegre, in southern Brazil, serves as the case study, because practitioners use musical liturgy to combine and segregate the Batuque, Umbanda, and Quimbanda religions and their denominations. This essay introduces the community, highlighting ethnoracial identity politics, and describes processes of musical boundary-work within the community, focusing on local concepts of crossing and purity.
