African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally released in 1990 as a motion picture. Based on the theatrical work: Maria Antonia by Eugenio Hernandez Espinosa., 1 videodisc (100 min.), A story of love, passion, resentment, and revenge set in pre-revolutionary working-class Cuba. Maria Antonio, in a role based on Oshun, the love goddess in the religion of the African Yoruba people, is driven to a crime of passion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
284 p., Explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), the author examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
-, Interviews social psychologist and feminist Norma Guillard. She discusses her political, socio-cultural activism and academic research on Black lesbians in Cuba. Guillard cites feminists Margaret Randall, Alice Walker and Angela Davis as women who influenced her. Describes an important Cuban movement involving Afro-Cuban militants.
