African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
359 p., Rather than hewing to labor uprisings in the 1930s as the generative moment for West Indian nationhood, the author begins with political and social conflicts from the late nineteenth century to argue that efforts to create a federation in the British Caribbean were much more than merely an imperial or regional nation-building project. This manuscript highlights the significant connections between Caribbean federation and other anticolonial struggles of the black diaspora.
78 p., Examines the ways in which the African American identity articulates and constructs itself through dance. Norman Bryson, an art historian, suggests that approaches from art history, film and comparative literature are as well applicable to the field of dance research. Therefore, as his main critical lens and a theoretical foundation, the author adopts the analytical approach developed by Erwin Panofsky, an art historian and a proponent of integrated critical approach, much like the one suggested by Bryson. Demonstrates that Erwin Panofsky's iconology, when applied as a research method, can make valuable contributions to the field of Dance Studies. Uses Katherine Dunham's original recordings of diaspora dances of the Caribbean and her modern dance choreography titled L'Ag'Ya to look for evidence for the paradigm shift from "primitive" to "diaspora" in representation of Black identity in dance also with the aim of detecting the elements that produce cultural difference in dance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194p., Highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late 19th and 20th centuries. The author sifts different origins and styles to place socio-musical movements into a larger historical framework.